Bøger af Katherine Bode

This collection provides the first comprehensive account of eResearch and the new empiricism as they are transforming the field of Australian literary studies in the twenty-first century. These effects are especially evident in the exponential expansion of the online research environment, the rise of book history, print culture studies, the history of reading and publishing, and in the resulting transformation of Australian literary criticism and history.The essays range from accounts of the state of the discipline in its international contexts with a particular focus on future directions, to exemplary applications of empirical methods by leading critics and scholars. Reports on current large-scale online projects that represent a significant future direction of literary studies in Australia are also included. Together, they demonstrate the possibilities and the range of new empirical and electronic approaches to Australian literary studies.

Investigating almost 10,000 works of fiction in the world's largest collection of mass-digitized historical newspapers (the National Library of Australia's Trove database), A World of Fiction reconceptualizes how fiction traveled globally, and was received and understood locally, in the 19th century.

‘Reading by Numbers: Recalibrating the Literary Field’ proposes and demonstrates a new digital approach to literary history. Drawing on bibliographical information on the Australian novel in the AustLit database, the book addresses debates and issues in literary studies through a method that combines book history’s pragmatic approach to literary data with the digital humanities’ idea of computer modelling as an experimental and iterative practice. As well as showcasing this method, the case studies in ‘Reading by Numbers’ provide a revised history of the Australian novel, focusing on the nineteenth century and the decades since the end of the Second World War, and engaging with a range of themes including literary and cultural value, authorship, gender, genre and the transnational circulation of fiction. The book’s findings challenge established arguments in Australian literary studies, book history, feminism and gender studies, while presenting innovative ways of understanding literature, publishing, authorship and reading, and the relationships between them. More broadly, by demonstrating critical ways in which the growing number of digital archives in the humanities can be mined, modelled and visualised, ‘Reading by Numbers’ offers new directions and scope for digital humanities research.