Bøger af Kathleen Driskell

Poems that center on the sinister American cryptid, the Goatman of Pope Lick. In her sixth collection Goat-Footed Gods, award-winning poet, essayist, and teacher Kathleen Driskell seeks to rehabilitate the reputation of the infamous Goatman of Pope Lick, identified by The Washington Post as one of the deadliest cryptids in America. The Goatman or Pope Lick Monster, a legendary creature long rumored to roam the woods around Driskell's Kentucky home, is alleged to have caused the deaths of at least five young people at Pope Lick Trestle, a railroad bridge with a ninety-foot drop at its center. The Goatman lyrics are braided with poems about Driskell's child's traumatic injury from a fall. Always at the heart of Driskell's poetry is her insistence that the path to the sacred is found not through the doctrine of ancient gods, but in walking clear-eyed through the dark woods of our historical past and exploring the never-ending wonder of the natural world.

Best-selling poet Kathleen Driskell's newest collection Blue Etiquette is inspired by Emily Post's 1922 edition of Etiquette and explores the interactions between the haves and have nots through poems voiced by Mrs. Worldly and the Between Maid, narratives focusing on blue-collar Americans, and lyrics drifting through the blue etiquette of mourning beloveds.

In Kathleen Driskell s new poetry collection, Seed Across Snow, understanding attempts to thaw untended griefs, long dormant. The book opens with Overture, a collage poem that serves as a cinematic trailer for the collection, introducing images which surface more fully in subsequent pages. In colorful lyric and narrative, Driskell s poems center on recent tragedies surrounding her family s home in an old church rumored to be haunted a neighbor nearly killed while fetching her mail, a girl abducted and left for dead on the highway behind her house, the drownings of two boys in a local creek. Poems are bound, too, with old sorrows from her past. Each memory that surfaces while living in the old church with its small graveyard next door, reminds that the most sacred, the family, is also the most fragile."

Commemorating the twentieth anniversary of the nationally recognized Spalding low-residency MFA in Writing program, this anthology collects essays from the MFA faculty blog from 2014 to 2021. These works offer a trove of insights and accumulated wisdom from fifty faculty members, directors, staff , and alumni-each dedicated to the Spalding ethos of creativity and compassion. Here, you'll find explorations of craft, literary figures, the writing life, the interrelatedness of the arts, publication, production, and more. By turns practical and lyrical, inspiring and consoling, these essays illustrate the extraordinary literary spirit that defines the Spalding family.

"e;A collection of poems that are bold, inviting, charming, different, humorous, and irreverent. Often, they slip the bonds of common expectation."e; -Northern Kentucky TribuneWhen Kathleen Driskell tells her husband that she's gone to visit the neighbors, she means something different than most. The noted poet-whose last book, Seed Across Snow, was twice listed as a national bestseller by the Poetry Foundation-lives in an old country church just outside Louisville, Kentucky. Next door is an old graveyard that she was told had fallen out of use. In this marvelous new collection, this turns out not to be the case as the poet's fascination with the "e;neighbors"e; brings the burial ground back to life.Driskell frequently strolls the cemetery grounds, imagining the lives and loves of those buried beside her property. These "e;neighbors,"e; with burial dates as early as 1848, inspire poems that weave stories, real and imagined, from the epitaphs and unmarked graves. Shifting between perspectives, she embraces and inhabits the voices of those laid to rest while also describing the grounds, the man who mows around the markers, and even the flocks of black birds that hover above before settling amongst the gravestones.Next Door to the Dead transcends time and place, linking the often disconnected worlds of the living and the deceased. Just as examining the tombstones forces the author to look more closely at her own life, Driskell's poems and their muses compel us to examine our own mortality, as well as how we impact the finite lives of those around us."e;Driskell has written her path to the Kentuckian sublime."e; -Shane McCrae, author of Sometimes I Never Suffered