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Charlotte Charke's father, Colley Cibber, was one of the eighteenth-century's great actor/playwrights--and it was thought that the comedically gifted young Charlotte would follow in his footsteps at the legendary Drury Lane. However, Charlotte's habit of wearing men's clothes off stage as well as on, proved an obstacle to her career.Kathryn Shevelow re-creates Charlotte's downfall from the heights of London's theatrical world to its lascivious lows (the domain of fire-eaters, puppeteers, wastrels, gender-bending cross-dressers, wenches, and scandalous sorts of every variety) and her comeback as the author of one of the first autobiographies ever written by a woman. Beyond the appealingly unorthodox Charlotte, Shevelow masterfully recalls for us a historical era of extraordinary stylishness, artifice, character, interest, and intrigue.
In eighteenth-century England - where cockfighting and bull baiting drew large crowds, and the abuse of animals was routine - the idea of animal protection was dismissed as laughably radical. This book presents a cultural narrative that takes us into the lives of animals - and into the minds of humans - during some of history's fascinating times.
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