Bøger af Kehbuma Langmia

This book explores the consequences of the changing landscape of media communication on Black interactions in the virtual space. Current developments in technology, such as facial recognition, have already disproportionately affected people of color, especially people of African descent. The rise of DeepFakes and other forms of Fake News online has brought a host of new impacts and potential obstacles to the way that Black communities communicate. With a focus on the emergence of DeepFakes, and AI Synthetic Media, contributors have explored a range of themes and topics, including but not limited to: How do AI and digital algorithms impact people of color? How does Social Media shape Black women's perception of their body? How vulnerable are young Africans to social media generated fake news?Contributions have examined how Black virtual, in person and digital communication is affected by the current onslaught of misinformation, manipulated images and videos, and changing socialmedia landscape.

This book examines the conundrum that has haunted the Black and White ancestry for ages on what supremacy actually means. Is it Black or White supremacy? Granted, the term White supremacy has occupied the sociopolitical, cultural and economic discourse for ages, but what does that really imply? This book debates that concept.

Ellen Peng straddles two inescapable complexities in her young life and family - her status as the first born and role model for her younger siblings and her very complicated relationship with her mother, Lydia who's chosen to jeopardize her own future and that of her entire family. Lydia orchestrates the death of her husband in order to accommodate Tom, a younger, able-bodied and attractive lover in her life. Her insatiable epicurean lifestyle, coupled with her longing for self-aggrandizement make up the ingredients for her atrocious choices. How would Ellen respond to Tom and Lydia's cat and mouse games that potentially, could lead to abysmal psycho-social suffering for the family and the larger community?

Black Lives and Digi-Culturalism: An Afrocentric Perspective uses several lenses to examine the role of African Americans and Africans in the production and consumption of information in digital spaces. This book explores topics such as Black confluence of digital and in-person spaces, cyberculture and Black identity, cyberfeminists and Black gendered voices, digi-culture and racism, capitalism and digital colonization, digital activism and politics, minorities and artificial intelligence, among other topics. Scholars of African and Black Diaspora studies, digital media culture, and communication will find this book particularly interesting.

The fight against evil remains at the core of this play, pitting Kamsi and her supporters against a few daring councillors. Skilfully scripted by a renowned actor and playwright, this drama exposes the alliances and explosive tensions in Nyong village overwhelmed by unseen but supposedly harmful forces. Spiced with witty proverbs and humour, The Earth Mother will not fail to thrill its readers.

Titabet and the Takumbeng is a play that relives the unprecedented political upheaval of the 1992 first ever multiparty presidential elections in Cameroon. Following the controversial elections, Bamenda - the stronghold of the main opposition party, the Social Democratic Front (SDF) - was plunged into a tense and intense civil disobedience campaign. The violence which ensued pitted SDF militants who claimed their victory was stolen against regime loyalists. The government reacted by imposing a curfew on Bamenda. The army that was dispatched to keep the peace committed ferocious kidnapping, rape, theft and torture, driving women, children and men into the arms of terror. Titabet the protagonist emerges as the leader of the oppressed. He and the sacred women's cult of Takumbeng were the only hope for the people. The sacred cleansing cult and Titabet's courageous resistance apparently brought an end to what would have been too devastating a tale to narrate. Kehbuma Langmia teaches courses in Mass Communications, Broadcast Journalism and Media Studies at Bowie State University. With previous degrees in fine arts, television and film, he earned his PhD in Mass Communication and Media Studies from Howard University. He also has an MA degree in theatre arts from the University of Yaound?, Cameroon. He is also a graduate from the Television Academy in Munich, Germany. Dr. Langmia writes, produces and directs independent productions, and serves as executive producer for students' television projects at Bowie State University.

This book argues for hybridity of Western and African cultures within cybercultural and subcultural forms of communication.

The Internet has become a powerful medium for Africans in the Diaspora to meet for cross border dialogue. Cameroonians all over the world are using this tool for what the present study considers to be a public-sphere discourse. Cameroonians living in the United States and other nations use the Internet to discuss and debate the political, social, economic, and cultural aspects of the nationhood of Cameroon with the aim of seeking solutions to some of those pressing needs that confront the country.This study builds on Habermas and other leading feminist authors' conceptualization of the democratic public sphere, central to Habermas' theory of communicative action. This study's theoretical framework incorporates elements of the African experience in order to examine the dominant, oppositional and parallel themes that arise from four Cameroonian websites just before the national presidential election in 2004. The methodology adapts Jager's critical discourse analytical (CDA) framework, which was deemed an appropriate methodology because it sought not only to analyze the linguistic component of the discourse in the four websites, but more importantly to examine the holistic structure of the discourse that is its history and context.