Bøger af Ken Auletta

Googled is candid, authoritative and based on extensive research, including in-house at Google HQ where Ken Auletta had unprecedented access. Auletta reveals how the media industry is being disrupted and redefined and shows how and why the worlds of 'new' and 'old' media often communicate as if residents of different planets.

A shocking account of how Harvey Weinstein rose to become one of the most iconic figures in the world of movies, how he used that position to feed his monstrous sexual appetites, and how it all came crashing down, from the author who has covered the Hollywood power game for the New Yorker for three decades.Twenty years ago, Ken Auletta wrote one of the iconic New Yorker profiles for which he is famous, of the Hollywood mogul Harvey Weinstein, then at the height of his powers. The profile created waves for exposing how volatile, even violent, Weinstein was to his employees and collaborators. But there was a much darker story that was just out of reach: rumors had long swirled that Weinstein was a sexual predator, but no one was willing to go on the record, and in the end he and the magazine concluded they couldn't close the case. But the story always nagged at him, and many years later, he was able to share his reporting notes and all that he knew with Ronan Farrow, and to cheer him along with Jodi Kantor and Megan Twohey as they broke their pioneering stories and wrote their bestselling books.But the story continued to nag at him. Farrow, Twohey, and Kantor did a brilliant job exposing the trail of assaults and their cover-up, but the larger questions remained: what explained Weinstein's monstrousness? Even more importantly, how and why was it never checked? How does a man run the day to day operations of a company with hundreds of employees and revenues in the hundreds of millions of dollars and at the same time live a shadow life of sexual predation without ever being caught, for years and years? How much is this a story about Harvey Weinstein, and how much is this a story about Hollywood and power? To answer that question fully, Ken Auletta has spent the past three years constructing a full reckoning with a career in film that has no parallel in Hollywood's history in its combination of extraordinary business and creative success and a personal brutality and viciousness that left a trail of ruined lives in its wake. How did one thing relate to the other? Spider's Web is an unflinching examination of Weinstein's life and career in full. Not simply a prosecutor's litany of crimes, it embeds them in the context of his overall business, his failures but also his outsized successes. To understand how he could behave as he did, we have to understand the power he wielded. Iconic film stars, Miramax employees and board members, old friends and family, even the person who knew him best, Harvey's brother Bob, all talked to Auletta at length. The result is not simply the portrait of a predator, it is a portrait of the power that allowed Weinstein to operate with such impunity for so many years, the spider web in which his victims found themselves trapped. To understand Weinstein's web is to understand how many other spider webs no doubt still remain.

It is said that journalism is a vital public service as well as a business, but more and more it is also said that big media consolidation; noisy, instant opinions on cable and the Internet; and political "bias" are making a mockery of such high-minded ideals. In Backstory, Ken Auletta explores why one of America's most important industries is also among its most troubled. He travels from the proud New York Times, the last outpost of old-school family ownership, whose own personnel problems make headline news, into the depths of New York City's brutal tabloid wars and out across the country to journalism's new wave, chains like the Chicago Tribune's, where "synergy" is ever more a mantra. He probes the moral ambiguity of "media personalities"-journalists who become celebrities themselves, padding their incomes by schmoozing with Imus and rounding the lucrative corporate lecture circuit. He reckons with the legacy of journalism's past and the different prospects for its future, from fallen stars of new media such as Inside.com to the rising star of cable news, Roger Ailes's Fox News. The product of more than ten years covering the news media for The New Yorker, Backstory is Journalism 101 by the course's master teacher.

A titanic struggle is taking place - not just among corporate titans, but among entire industries across the globe. At stake is control of the world's fastest-growing industry: communications. The contestants are the huge Hollywood studios, the television networks, and telephone, publishing, and computer companies. The prize is not only vast wealth, but a virtual lock on the dissemination of information worldwide. The Highwaymen is a riveting and compelling look behind the scenes at the vanities and visions of such chief players as Rupert Murdoch, Ted Turner, Time Warner, Disney, Viacom, and Microsoft. An astounding tale of greed, enterprise, and corporate achievement, The Highwaymen is an account of the explosive landscape of telecommunications, and as such provides an indispensable guide to today's world.

"Auletta puts the most human of faces on Turner yet . . . [as] a tycoon who has lost his power." -BusinessWeek