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Twenty-year-old Nellie Monroe has a perfect college GPA, a job that's beneath her, and a restless brilliance that makes her a bit of an odd duck. Oh, and she wants to be a private investigator, even though her tiny Ohio hometown offers no hope of clients. Until she meets Amos Shetler, a refugee from the local Amish community who's carrying a torch for the girl he left behind. So Nellie straps on her bonnet and goes undercover to get the dish. Literally, since she's talked her way into Amish cooking lessons. But though she's brainy, Nellie is clueless when it comes to real life and real relationships. In short order she has alienated her best friend and angered her college professor-and appears to have botched her case. Will the boy still get the girl? Can Nellie save her career in criminal science? And more importantly, will she ever learn how to make a decent piecrust?
Mia is a granola-eating, sensible shoe-wearing, carbon footprint-conscious twenty-something living in a multicultural neighborhood in Chicago. Her mother, Babs, is a stiletto-wearing Zsa Zsa Gabor type who works as an activities hostess on a Caribbean cruise line...and if you guessed there's some tension there, you'd be right. Factor in an unexpected pregnancy and Mia's idealistic boyfriend, and the mother-daughter relationship is, well, stretched very thin. As is Mia's sanity when Babs shows up to...help. Actually, Mia has a whole neighborhood of quirky characters who want to help, including her BFF, Frankie, a magenta-haired librarian; Silas, the courtly gentleman of indeterminate age who lives downstairs; and Adam, proprietor of the corner grocery store where Mia shops. But it's Adam-endearing, kind, possessed of a perfect smile and impeccable Persian manners-who ultimately charms Babs and rescues Mia from more than one mother-induced meltdown. Could it be that Mia and Babs might actually be able to get along? With Kimberly Stuart's trademark irreverent humor and a surprising and satisfying take on romance, Stretch Marks is an authentic but tender story about family, grace, and the importance of a good grocer.
"Growing up, Kimberly Stuart got really good at strapping on her spiritual tap shoes and trying to be a star for Jesus. She could sing all the songs, ace the sword drills, and know all the right theology. From earning creepy Jesus paperweights in her church's faux girl scout program to trying to calm an actual storm on the Mediterranean, she was doing her best... and still found herself longing for something more. She didn't mean to completely ignore the most beautiful tenets of her faith-the unwavering grace and tenacious love of God-but she did. Which, of course, was the problem. Her best was lackluster, and God wasn't looking for a star performer anyway. Star for Jesus (And Other Jobs I Quit), is an invitation for readers to spot unvarnished, amazing grace when they see it. With her trademark wit and transparency, Stuart brings readers through both big and small moments that teach us to cling to the fierce love of God instead of the flimsier versions we find elsewhere. With unflinching honesty and relatable humor, Stuart encourages readers to take another look at unrelenting grace; why, contrary to the cultural narrative, we are not actually enough, and that's good news; how we always, remarkably, have all the grace we need; and why this moment in history is the perfect time to extend no-strings-attached grace to an emotionally bedraggled, wary world"--
The tightrope walk is getting trickier by the minute. As maternity leave comes to an end for Heidi Elliott, so does virtually everything else she thought she knew. The substitute filling in for her high school Spanish classes has made a complete mess-not just with her students, but perhaps in a way more personal. Her husband is developing the disconcerting habit of going out of his way to help a beautiful and wealthy client who is all kinds of perky. And now, to further complicate matters, Heidi's old boyfriend has moved back into the neighborhood. Fiercely independent, Heidi has never been one to ask for help. But when she discovers unexpected camaraderie with a Moms' Group, Heidi finds herself in a sea of shoulder pads, big hair, and surprisingly strong women who just might hold the lifeline she didn't think she needed.
The Moms' Group that saved Heidi Elliott's sanity has gone on hiatus, as have any ideas about dropping the weight (in all the wrong places) and keeping the curves (in all the right ones). In their place, the Friday Strut-n-Stroll provides, if nothing else, two miles of adult company and the outside chance to use polysyllabic words. As much as she has loved being home for Nora's first steps, words, and forays into makeup artistry, Heidi misses working, not to mention money for pedicures. And her husband, Jake, seems increasingly worried about their dwindling bank balance. So when the beautiful Kylie Zimmerman, with a wave of her multi-carat-laden fingers, dangles the chance to become part of a "life-enhancing, woman-affirming business opportunity," Heidi takes the bait. After all, what does she have to lose?
New Yorker Sadie Maddox is the toast of the classical-music world-and a bit of a diva. But lately her CD sales are sagging, not to mention parts of her anatomy. Maybe it's time for a change. So when her agent suggests a professorship at a small liberal-arts college, Sadie decides to give it a go. Besides, she needs the money. But the college is in rural Iowa. Sadie's colleagues are intimidated, her students aren't impressed, and she has to live far too close to farm animals. When Sadie meets Mac, a veterinarian, she assumes they have nothing in common-he is, after all, a country-music fan-and she's counting the days until she moves back to New York. Yet, when Sadie is forced to spend time with Mac, she likes him. Her students really need her. And this quiet Midwest community begins to grow on her. When the semester ends, Sadie packs up and decamps for the city that never sleeps...and finds she can't either. Will she find the courage and grace she needs to embrace her Act Two?
"A story of reconnection, lost love, and the power of faith, Heart Land follows a struggling fashion designer back to her small Iowa hometown as she tries to follow her dreams of success and finding true love. Grace Klaren has finally made her dream of living in the Big Apple and working in the fashion industry a reality. But when she's unexpectedly fired and can't afford the next month's rent, Grace does something she never thought she'd do: she moves back home. Back in Silver Creek, Iowa, Grace is determined to hate it. She rails against the quiet of her small town, where everything closes early, where there's no nightlife, where everyone knows each other. She's saving her pennies and plotting her return to New York when she almost runs over a man who's not paying attention at a crosswalk. It turns out to be Tucker, her high school sweetheart whose heart she broke when she left ten years ago. They reconnect, and Grace remembers why she fell for him in the first place. And her career begins to turn around when she finds a gorgeous but tattered vintage dress at a flea market. She buys it, rips it apart seam by seam, and re-creates it with new fabric, updating the look with some of her own design ideas. She snaps a picture and lists the dress online, and within a day, it sells for nearly $200. Suddenly, Grace has her ticket out of here. But Grace can't fight her growing feelings for Tucker. Sometimes when they're together, Tucker paints a picture of what their future could be like, and it feels so real. And when she finally gains the funding to move her new business back to New York, Grace must decide where home really is--will she chase her long-held New York dream, or find a new dream here in the heartland?"--
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