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The magnum opus from the author of the much loved classic, THE GO-BETWEEN: 'A masterpiece from the very first image' (Guardian)
'The spirit that dwelleth in us lusteth to envy...' Jael 97's good looks have been deemed a cause of discontent among other women, and she finds herself reporting to the Ministry of Facial Justice, where her face will be reconstructed to become 'beta' (second-grade). For she lives in a post-apocalyptic world, where society is based on a collective sense of guilt, where all citizens are labelled 'delinquents' and obliged to wear sackcloth and ashes. Individuality and privilege, which might arouse envy, are stamped out. But Jael refuses to fit in. Forced to become 'beta', and thus exempt from envy, her self-respect and rebellious spirit cannot be suppressed so easily. Slowly, she begins the struggle to reassert the rights of the individual.L. P. Hartley's dystopian classic is a darkly entertaining vision of human weakness, envy and governmental interference taken to their most chilling extremes.
Overcome with grief at her husband's death, Lady Franklin, an eligible young widow, unburdens herself to Leadbitter - a gallant, hard-bitten ex-soldier who has invested his savings in the car he drives for hire - as he takes her on a series of journeys. He in turn beguiles her with stories of his non-existent wife and children, drawing her out of her self-absorption and weaving a dream-life with Lady Franklin at its heart. Half-hoping to make his dream come true, Leadbitter takes a bold, not to say reckless, step which costs him dearly, and brings these characters' tangled story to a dramatic and unexpected conclusion.
A lonely boy living on his uncle's farm in the Lincolnshire Fens, Richard Mardick's solitary existence is interrupted by a chance meeting, and idyllic love affair, with Lucy. A disused brickfield is the scene of their clandestine meetings, and it is there that Richard finds her drowned in a muddy pool. Forced by circumstances to look back on these days, Richard finds himself recounting this episode to his secretary. Its shattering significance throughout the rest of his life is put into remarkable perspective by the unusual framework with which Hartley has enclosed his story. Weaving skilfully through past events while staying awake to the present, The Brickfield is a masterly evocation of childhood and its influences on the adult mind.
Timothy Casson, a bachelor writer, is forced to return from a contented life in Venice to an English village. Taking a house by the river where he can pursue his passion for rowing, he has to do battle with the locals to overcome his isolation and feelings of incompleteness. This most complex of Hartley's novels examines the multiple layers of Casson's relationships with servants, local society and friends.
L.P. Hartley's moving exploration of a young boy's loss of innocence The Go-Between is edited with an introduction and notes by Douglas Brooks-Davies in Penguin Modern Classics.'The past is a foreign country: they do things differently there'When one long, hot summer, young Leo is staying with a school-friend at Brandham Hall, he begins to act as a messenger between Ted, the farmer, and Marian, the beautiful young woman up at the hall. He becomes drawn deeper and deeper into their dangerous game of deceit and desire, until his role brings him to a shocking and premature revelation. The haunting story of a young boy's awakening into the secrets of the adult world, The Go-Between is also an unforgettable evocation of the boundaries of Edwardian society.Leslie Poles Hartley (1895-1972) was born in Whittlesey, Cambridgeshire, and educated at Harrow and Balliol College, Oxford. For more than thirty years from 1923 he was an indefatigable fiction reviewer for periodicals including the Spectator and Saturday Review. His first book, Night Fears (1924) was a collection of short stories; but it was not until the publication of Eustace and Hilda (1947), which won the James Tait Black prize, that Hartley gained widespread recognition as an author. His other novels include The Go-Between (1953), which was adapted into an internationally-successful film starring Julie Christie and Alan Bates, and The Hireling (1957), the film version of which won the Palme d'Or at the Cannes Film Festival.If you enjoyed The Go-Between, you might like Barry Hines's A Kestrel for a Knave, also available in Penguin Modern Classics.'Magical and disturbing'Independent 'On a first reading, it is a beautifully wrought description of a small boy's loss of innocence long ago. But, visited a second time, the knowledge of approaching, unavoidable tragedy makes it far more poignant and painful'Express
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