Bøger af Lafcadio Hearn

The Romance of the milky way and other studies & stories

Lafkadio Hern je isto onoliko japanski kao sto je haiku poezija, cesto kazu poznavaoci. Rodjen u Grckoj, odrastao u Irskoj, sazreo kao novinar i pisac u Sjedinjenim Americkim Drzavama, dosao je u Japan na kraju 19. veka da tu tada nepoznatu i egzoticnu zemlju predstavi svetu. Njegove reportaze, knjige i price ( koje je prevodio uz pomoc prijatelja Japanaca ) bile su najbolja literatura o zemlji dugo izolovanoj na kraju sveta i nacin da se o njoj sazna nesto autenticno. Hern je ubrzo uzeo japansko ime Jakumo Koizumi, a, pre nego sto je umro pocetkom 20. veka priznat je kao najbolji tumac Japana - zemlje koju je tesko upoznati iznutra, jer krije mnogo tajni. I danas u tokijskim knjizarama, koje prodaju izdanja na engleskom jeziku, najvise je knjiga koje je napisao i preveo Lafkadio Hern. "Strasne price," zbirka pripovedaka i kazivanja na granici fantastike i realnog, se smatraju najboljim Hernovim delom. Neke od njih Japanci su kasnije prevodili ponovo na japanski, jer ih je Hern toliko poboljsao da su bile lepse od originala. Po ovom delu snimljena su dva omnibus filma, od kojih je jedan svojevremeno prikazivan i kod nas.

THERE was a young Samurai of Kyoto who had been reduced to poverty by the ruin of his lord, and found himself obliged to leave his home, and to take service with the Governor of a distant province. Before quitting the capital, this Samurai divorced his wife, a good and beautiful woman, under the belief that he could better obtain promotion by another alliance. He then married the daughter of a family of some distinction, and took her with him to the district whither he had been calle

Most of the following Kwaidan, or Weird Tales, have been taken from old Japanese books, -such as the Yaso-Kidan, Bukkyo-Hyakkwa-Zensho, Kokon-Chomonshu, Tama-Sudare, and Hyaku-Monogatari. Some of the stories may have had a Chinese origin: the very remarkable "Dream of Akinosuke," for example, is certainly from a Chinese source. But the story-teller, in every case, has so recolored and reshaped his borrowing as to naturalize it... One queer tale, "Yuki-Onna," was told me by a farmer of Chofu, Nishitama-gori, in Musashi province, as a legend of his native village. Whether it has ever been written in Japanese I do not know; but the extraordinary belief which it records used certainly to exist in most parts of Japan, and in many curious forms... The incident of "Riki-Baka" was a personal experience; and I wrote it down almost exactly as it happened, changing only a family-name mentioned by the Japanese narrator

This Is A New Release Of The Original 1922 Edition.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

The 15 classic essays collected in Kokoro examine the inner spiritual life of Japan. The title itself can be translated as "heart," "spirit" or "inner meaning," and that's exactly what this collection teaches us about Japan. Sometimes touching and always compelling, the writings here tell the stories of the people and social codes that make Japan the unique place it is. "Kimiko" paints the portrait of a beautiful geisha; "By Force of Karma" tells the story of a Buddhist monk; and in "A Conservative," we come to know the thoughts and actions of a Samurai. As an early interpreter of Japan to the West, Lafcadio Hearn was without parallel in his time. His numerous books about that country were read with a fascination that was a tribute to his keen powers of observation and the vividness of his descriptions. Today, even though Japan has changed greatly from what it was when he wrote about it, his writing is still valid, for it captures the essence of the country an essence that has actually changed a good deal less than outward appearances might suggest. In a word, the Japanese character and the Japanese tradition are still fundamentally the same as Hearn found them to be, and for this reason his books are still extremely revealing to readers in the West."

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Glimpses of unfamiliar Japan is an unchanged, high-quality reprint of the original edition of 1894. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres.As a publisher we focus on the preservation of historical literature.Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Japanese magic-lantern show is essentially dramatic. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. Wherefore it is peculiarly well suited to goblinries and weirdnessess of all kinds; and plays in which ghosts figure are the favourite subject. -from "Of Ghosts and Goblins" In 1889, Westerner Lafcadio Hearn arrived in Japan on a journalistic assignment, and he fell so in love with the nation and its people that he never left. In 1894, just as Japan was truly opening to the West and global interest in Japanese culture was burgeoning, Hearn published this delightful series of essays glorifying what he called the "rare charm of Japanese life." Beautifully written and a joy to read, Hearn's love letters to the land of the rising sun enchant with their sweetly lyrical descriptions of winter street fairs, puppet theaters, religious statuaries, even the Japanese smile and its particular allure. A wonderful journal of immersion on a foreign land, this will bewitch Japanophiles and travelers to the East.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Hearn uses this collection of short stories to understand the others, physically, psychologically, and spiritually taking into account the differences of those others and, while never releasing his own identity, using it as both mirror and standard by which to question and reflect upon the truth and groundings of his beliefs and pre-conceived systems.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

A Japanese magic-lantern show is essentially dramatic. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. Wherefore it is peculiarly well suited to goblinries and weirdnessess of all kinds; and plays in which ghosts figure are the favourite subject. -from "Of Ghosts and Goblins" In 1889, Westerner Lafcadio Hearn arrived in Japan on a journalistic assignment, and he fell so in love with the nation and its people that he never left. In 1894, just as Japan was truly opening to the West and global interest in Japanese culture was burgeoning, Hearn published this delightful series of essays glorifying what he called the "rare charm of Japanese life." Beautifully written and a joy to read, Hearn's love letters to the land of the rising sun enchant with their sweetly lyrical descriptions of winter street fairs, puppet theaters, religious statuaries, even the Japanese smile and its particular allure. A wonderful journal of immersion on a foreign land, this will bewitch Japanophiles and travelers to the East.

I was sorry to lose the beautiful lake view, but I found it necessary to remove to the northern quarter of the city, into a very quiet Street behind the mouldering castle. My new home is a katchiu-yashiki, the ancient residence of some samurai of high rank. It is shut off from the street, or rather roadway, skirting the castle moat by a long, high wall coped with tiles. One ascends to the gateway, which is almost as large as that of a temple court, by a low broad flight of stone steps; and projecting from the wall, to the right of the gate, is a look-out window, heavily barred, like a big wooden cage.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

This collection of literature attempts to compile many of the classic, timeless works that have stood the test of time and offer them at a reduced, affordable price, in an attractive volume so that everyone can enjoy them.

A Japanese magic-lantern show is essentially dramatic. It is a play of which the dialogue is uttered by invisible personages, the actors and the scenery being only luminous shadows. Wherefore it is peculiarly well suited to goblinries and weirdnessess of all kinds; and plays in which ghosts figure are the favourite subject. -from "Of Ghosts and Goblins" In 1889, Westerner Lafcadio Hearn arrived in Japan on a journalistic assignment, and he fell so in love with the nation and its people that he never left. In 1894, just as Japan was truly opening to the West and global interest in Japanese culture was burgeoning, Hearn published this delightful series of essays glorifying what he called the "rare charm of Japanese life." Beautifully written and a joy to read, Hearn's love letters to the land of the rising sun enchant with their sweetly lyrical descriptions of winter street fairs, puppet theaters, religious statuaries, even the Japanese smile and its particular allure. A wonderful journal of immersion on a foreign land, this will bewitch Japanophiles and travelers to the East.