Bøger af Lanfranco Aceti

Step into the gritty, mesmerizing world of Dolores de Alma Blanca's poetic landscape with The Poems of the Poet Laureate. Originally crafted in the bustling streets of London in 1998 and polished at the turn of the millennium, this collection offers a prophetic glimpse into the tumultuous societal structures that would define the 2020s.Within these verses, democracy clashes with decadence, love intertwines with rage, and the echoes of violence reverberate alongside whispers of royalty and filth. Dolores de Alma Blanca masterfully navigates the labyrinth of modernity while paying homage to classical forms and poetics, leaving readers with an unsettling suspicion that reality may not be far from fiction.Did Dolores de Alma Blanca truly exist, or was she a phantom weaving the threads of reality and imagination? As society hurtles into the digital age, her words, once etched in red lipstick on discarded paper, resurface to reveal the city's tragic beauty and relentless decay.Through hyperboles, allegories, and metaphors reminiscent of Dante's Inferno, Dolores de Alma Blanca offers a raw and unapologetic commentary on the human condition. From the neon-lit streets of London to the depths of the soul, her poems shock, surprise, and ultimately captivate, inviting readers to explore the dark corners of existence with no boundaries and no remorse.Join us on this poetic journey, where every word is a step deeper into the heart of the city-and the soul.

In this particular new LEA book the issue of art as interference and the strategies that it should adopt have been reframed within the structures of contemporary technology as well as within the frameworks of interactions between art, science and media. What sort of interference should be chosen, if one at all, remains a personal choice for each artist, curator, critic and historian. Edited by Lanfranco Aceti and Paul Thomas. Editorial Manager: Caglar Cetin. Writings by: Lanfranco Aceti, Paul Thomas, Mark Guglielmetti, Mark Cypher, David Eastwood, Darren Tofts and Lisa Gye, Leon Marvell, Oliver Grau, Adam Nash, Edward Colless, Brogan Bunt, Susan Ballard, Mark Titmarsh and Anna Munster.

What is the relationship between contemporary digital media and contemporary society? Is it possible to affirm that digital media are without sin and exist purely in a complex socio-political and economic context within which the users bring with them their ethical and cultural complexities? This issue, through a range of scholarly writings, analyzes the problems of ethics and sin within contemporary digital media frameworks. Volume Editors: Lanfranco Aceti and Donna Leishman. Editorial managers: Sheena Calvert and Ozden Sahin. Articles by: Lanfranco Aceti, Donna Leishman, Birgit Bachler, David Burns, Deborah Burns, Johnny Golding, Sue Hawksley, Ken Hollings, Smita Kheria, Alana Kushnir, Simone O'Callaghan, Kriss Ravetto-Biagioli, Don Ritter, Debra Swack, Sandra Wilson & Lilia Gomez Flores, Charlie Gere, Mikhail Pushkin and Sheena Calvert.

This LEA publication has a simple goal: surveying the current trends in augmented reality artistic interventions. There is no other substantive academic collection currently available, and it is with a certain pride that LEA presents this volume which provides a snapshot of current trends as well as a moment of reflection on the future of AR interventions. Volume Editors: Lanfranco Aceti and Richard Rinehart. Editors: Ozden Sahin, Jonathan Munro and Catherine M. Weir. Contributors Not Here, Not There: An Analysis Of An International Collaboration To Survey Augmented Reality Art Editorial by Lanfranco Aceti Site, Non-site, and Website Introduction by Richard Rinehart. Contributors: Spatial Art: An Eruption of the Digital into the Physical & Interview by Simona Lodi; LEAF++: Transformative Landscapes and Interview, Statement, Artworkby Salvatore Iaconesi, Luca Simeone, Oriana Persico, Cary Hendrickson; Augmented Irreality and Interview, Statement, Artwork by Chiara Passa; Not Now, Perhaps Later: Time Capsules as Communications with the Future and Statement by Jo Ann Oravec; Mechanics of Place: Textures of Tophane and Interview, Statement, Artwork by Hana Iverson & Sarah Drury; "Image as Place" The Phenomenal Screen in Kit Galloway & Sherrie Rabinowitz's Sattelite Arts 1977 by Kris Paulsen; Location-Based Virtual Interventions: Transcending Space through Mobile Augmented Reality as a Field for Artistic Creation and Interview, Statement, Artworkby Alejandro Schianchi; Invisible - In Your Face and Interview, Statement, Artwork by Sander Veenhof; Discovering the Non-Self: The Construction of Language, Trance, and Space and Interview, Statement, Artwork by Judson Wright; Interview, Statement, Artwork by Maria Anwander; Interview, Statement, Artwork by Ruben Aubrecht; Interview, Statement, Artwork by A. J. Patrick Liszkiewicz; Interview, Statement, Artwork by Mark Skwarek; Interview, Statement, Artwork by Tamiko Thiel; Interview by Patrick Lichty.

This catalog is a LEA production with FACT (Foundation for Art and Creative Technology). It follows the first major retrospective on Nam June Paik in the UK with an exhibition and conference organized by Tate Liverpool and FACT. The exhibition Nam June Paik, December 17, 2010 to March 13, 2011, was curated by Sook-Kyung Lee and Susanne Rennert.LEA acknowledges and is grateful for the gracious support provided to this publication by the Estate of Nam June Paik. In particular special thanks go to Ken Hakuta, Executor, Nam June Paik Estate.Also, special thanks go to Mike Stubbs (Director/CEO of FACT) for his support. Writings by: Lanfranco Aceti, Omark Kholeif, Emile Devereaux, Tom Schofield, Gabriela Galati, Jamie Allen, Jeremy Bailey, Richard Brown, John G. Hanhardt, Mike Stubbs, Sarah Cook, Roy Ascott, Ruth Catlow and Anton Lukoszevieze.

This LEA publication has a simple goal: surveying the current trends in augmented reality artistic interventions. There is no other substantive academic collection currently available, and it is with a certain pride that LEA presents this volume which provides a snapshot of current trends as well as a moment of reflection on the future of AR interventions.Volume Editors: Lanfranco Aceti and Richard Rinehart.Editors: Ozden Sahin, Jonathan Munro and Catherine M. Weir.ContributorsNot Here, Not There: An Analysis Of An International Collaboration To Survey Augmented Reality ArtEditorial by Lanfranco AcetiSite, Non-site, and WebsiteIntroduction by Richard RinehartThe Variable Museum: Off-Topic ArtInterview, Statement, Artworkby John BellTranslocated BoundariesInterview, Statement, Artworkby Jacob GarbeIn Between: Experiencing LiminalityInterview, Statement, Artworkby Dragos Gheorghiu & Livia StefanHacking: A New Political and Cultural Practiceby Christina GrammatikopoulouConnecticity, Augmented Perception of the CityInterview, Statement, Artworkby Salvatore Iaconesi & Oriana PersicoAugmented Resistance: The Possibilities for AR and Data Driven ArtInterview, Statement, Artworkby Conor McGarrigleSituated Soundscapes: Redefining Media Art and the Urban ExperienceInterview, Statement, Artworkby Natasa Paterson & Fionnuala ConwayA New Relic Emerges: Image as Subject to ObjectInterview, Statement, Artworkby Rebecca PeelRe-Visualizing Afghanistan in "what if im the bad guy" Using Palimpsest to Create an AR DocumentaryInterview, Statement, Artworkby Aaron A. Reed & Phoenix Toews