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The Langston Hughes classic, now in paperback, includes an Introduction by Ben Vereen and Afterword by George P. Cunningham. In 26 short and wonderful poems--never-before published--acclaimed Harlem Renaissance writer Langston Hughes (1902-1967) takes children through both the alphabet and the animal world. Color and b&w illustrations.
THE CELEBRATED SHORT STORY COLLECTION FROM THE AMERICAN POET AND WRITER OFTEN CALLED THE 'POET LAUREATE OF HARLEM'A black maid forms a close bond with the daughter of the cruel white couple for whom she works. Two rich, white artists hire a black model to pose as a slave. A white-passing boy ignores his mother when they cross each other on the street.Written with sardonic wit and a keen eye for the absurdly unjust, these fourteen stories about racial tensions are as relevant today as the day they were penned, and linger in the mind long after the final page is turned.'Powerful, polemical pieces' New York Times'Some of the best stories that have appeared in this country in years' North American Review
VINTAGE CLASSICS' HARLEM RENAISSANCE SERIESCelebrating the finest works of the Harlem Renaissance, one of the most important Black arts movements in modern history.'White peoples maybe mistreats you an' hates you, but when you hates 'em back, you's de one what's hurted, 'cause hate makes yo' heart ugly - that's all it does'Sandy's in the fifth grade when he's forced to sit on the back row away from his white classmates and denied entry to a new amusement park. His grandmother, who is raising him alongside his mother and aunt, tells him that love is the only thing to make room for in his heart. But it's Sandy's discovery of literature that inspires him to continue his education and make sense of the unjust world he inhabits in the debut novel from one of the foremost pioneers of the Harlem Renaissance.'[Hughes] gives his readers... a guide for careful consideration of the lives of everyday black people. Such a guide is still useful to readers and writers today. Perhaps now more than ever' Angela Flournoy, New York Times
The only collaboration between the two brightest lights of the Harlem Renaissance--Zora Neale Hurston and Langston HughesIn 1930, two giants of African American literature joined forces to create a lively, insightful, often wildly farcical look inside a rural Southern black community--the three-act play Mule Bone. In this hilarious story, Jim and Dave are a struggling song-and-dance team, and when a woman comes between them, chaos ensues in their tiny Florida hometown. This extraordinary theatrical work broke new ground while triggering a bitter controversy between the collaborators that kept it out of the public eye for sixty years.This edition of the rarely seen stage classic features Hurston's original short story, "The Bone of Contention," as well as the complete recounting of the acrimonious literary dispute that prevented Mule Bone from being produced or published until decades after the authors' deaths.
Boka inneholder et utvalg av Hughes' lyrikk samt de tre historiene Cora unashamed, Home og The blues I'm playing.
A shining star of the Harlem Renaissance movement, Langston Hughes--a poet, novelist, and playwright--was one of the most revered African American writers. His first published collection of poems, The Weary Blues, was a tour de force upon its release. Over ninety years later, it remains critically acclaimed and still evokes a fresh, contemporary feeling. The title poem, "The Weary Blues," influenced by the dialect and rhythm of blues, weaves pain and suffering into haunting melodic prose. "Dream Variation" rings with joyfulness amid oppression. "Epilogue" mimics Walt Whitman in its opening line, "I, too, sing America," proclaiming that the United States will someday fulfill its promise of equality. A powerful reflection of the Black experience, Hughes's words remain prophetic and relevant.
This beloved poem by Langston Hughes, illustrated by the award-winning Sean Qualls, is an irresistible celebration of the love between mother and baby, now available in board book format.Award-winning illustrator Sean Qualls's painted and collaged artwork captures universally powerful maternal moments with tenderness. In the end, readers will find a rare photo of baby Hughes and his mother, a biographical note, further reading, and the complete lullaby. Like little love-ones, this beautiful book is a treasure.?My little dark baby, / My little earth-thing, / My little love-one, / What shall I sing / For your lullaby?"
Langston Hughes's poetry launched a revolution among black writers in America. The poems in this volume were chosen by Hughes shortly before his death in 1967 and encompass work from his entire career.
Introduction by Arnold Rampersad.Langston Hughes, born in 1902, came of age early in the 1920s. In The Big Sea he recounts those memorable years in the two great playgrounds of the decade--Harlem and Paris. In Paris he was a cook and waiter in nightclubs. He knew the musicians and dancers, the drunks and dope fiends. In Harlem he was a rising young poet--at the center of the "Harlem Renaissance."Arnold Rampersad writes in his incisive new introduction to The Big Sea, an American classic: "This is American writing at its best--simpler than Hemingway; as simple and direct as that of another Missouri-born writer...Mark Twain."
Ved havet er en børnekunstbog med tegninger af Kathrine Ærtebjerg (DK) og Ragnar Persson (SE), og gendigtninger af digte af Emily Dickinson (US), Langston Hughes (US) og Edvard Lear (UK). Ved havet er ikke en kunstbog i traditionel forstand. Den opfordrer børn (og barnlige sjæle) til selv at tegne videre, enten i eller udenfor bogen, med inspiration fra både digtene og Kathrine Ærtebjergs tegninger af havmænd og havfruer, og Ragnar Persson tegninger af havdyr. Ved havet kiler sig ind i feltet mellem fantasi og virkelighed. Nogle af havvæsenerne er virkelige og findes i vandet ud for vores kyster, mens andre tilhører fantasien. Ved havet er en opfordring til at bruge fantasien til at undersøge verden med og stille spørgsmål til den, som vi ellers ikke vil være i stand til at formulere, når vi forleder os på traditionelle regler, dogmer og fordomme.
This beloved poem by Langston Hughes, in picture-book form for the first time and illustrated by the award-winning Sean Qualls, is an irresistible celebration of poetry and the love between mother and baby.
Our greatest African American poet’s award-winning first novel, about a black boy’s coming-of-age in a largely white Kansas town When first published in 1930, Not Without Laughter established Langston Hughes as not only a brilliant poet and leading light of the Harlem Renaissance but also a gifted novelist. In telling the story of Sandy Rogers, a young African American boy in small-town Kansas, and of his family—his mother, Annjee, a housekeeper for a wealthy white family; his irresponsible father, Jimboy, who plays the guitar and travels the country in search of employment; his strong-willed grandmother Hager, who clings to her faith; his Aunt Tempy, who marries a rich man; and his Aunt Harriet, who struggles to make it as a blues singer—Hughes gives the longings and lineaments of black life in the early twentieth century an important place in the history of racially divided America. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,800 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
From the publication of his first book in 1926, Langston Hughes was America's acknowledged poet of color, the first to commemorate the experience-and suffering-of Black Americans in a voice that no reader could fail to hear.The poems in The Panther and the Lash are the last testament of a great American writer who grappled fearlessly and artfully with the most compelling issues of his time.In this, his last collection of verse, Hughes's voice-sometimes ironic, sometimes bitter, always powerful-is more pointed than ever before, as he explicitly addresses the racial politics of the sixties in such pieces as "Prime," "Motto," "Dream Deferred," "Frederick Douglas: 1817-1895," "Still Here," "Birmingham Sunday." " History," "Slave," "Warning," and "Daybreak in Alabama."
“Dream Variation,” one of Langston Hughes''s most celebrated poems, about the dream of a world free of discrimination and racial prejudice, is now a picture book stunningly illustrated by Daniel Miyares, the acclaimed creator of Float. To fling my arms wide In some place of the sun, To whirl and to dance Till the white day is done…. Langston Hughes''s inspiring and timeless message of pride, joy, and the dream of a better life is brilliantly and beautifully interpreted in Daniel Miyares''s gorgeous artwork. Follow one African-American boy through the course of his day as the harsh reality of segregation and racial prejudice comes into vivid focus. But the boy dreams of a different life—one full of freedom, hope, and wild possibility, where he can fling his arms wide in the face of the sun. Hughes''s powerful vision, brought joyously to life by Daniel Miyares, is as relevant—and necessary—today as when it was first written.
A collection of vibrant and incisive short stories depicting the sometimes humorous, but more often tragic interactions between Black people and white people in America in the 1920s and '30s. One of the most important writers to emerge from the Harlem Renaissance, Langston Hughes is best known as a poet, but these stories showcase his talent as a lively storyteller. His work blends elements of blues and jazz, speech and song, into a triumphant and wholly original idiom. Stories included in this collection: "Cora Unashamed" "Slave on the Block" "Home" "Passing" "A Good Job Gone" "Rejuvenation Through Joy" "The Blues I'm Playing" "Red-Headed Baby" "Poor Little Black Fellow" "Little Dog" "Berry" "Mother and Child" "One Christmas Eve" "Father and Son"
Langston Hughes, one of Americas greatest writers, was an innovator of jazz poetry and a leader of the Harlem Renaissance whose poems and plays resonate widely today. Accessible, personal, and inspirational, Hughes's poems portray the African American community in struggle in the context of a turbulent modern United States and a rising black freedom movement. This indispensable volume of letters between Hughes and four leftist confidants sheds vivid light on his life and politics.Letters from Langston begins in 1930 and ends shortly before his death in 1967, providing a window into a unique, self-created world where Hughes lived at ease. This distinctive volume collects the stories of Hughes and his friends in an era of uncertainty and reveals their visions of an idealized worldone without hunger, war, racism, and class oppression.
Langston Hughes, long recognized as a major American poet and an influential force in African-American literature, brought to this, his first novel, the lyricism, humor, and sureness of touch that characterizes his award-winning poetry. This story reflects the joys and hardships of an African-American boy growing to manhood.
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