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This anthology brings together key plays from the Crooked Mirror, a leading Silver Age Russian cabaret, with short biographies of their authors and robust commentary and annotations to trace the theater's artistic and ideological evolution.
It is a book about dying, or, more accurately, about the representation of dying in the theatre. Its chief concern is how actors undertook to translate words and concepts into forms legible and significant to an audience. It deals with the ways in which playwrights wrote about death and attitudes towards death in their cultures. Nevertheless, the emphasis is on the practice of acting.
The Changing Room traces the origins and variations of theatrical cross-dressing through the ages and across cultures. This is the first-ever cross-cultural study of theatrical transvestism.
The A to Z of Russian Theater is the only reference work in English devoted exclusively to Russian theater and drama. It provides information on the popular plays and playwrights while also offering information on many persons, works, and phenomena omitted from standard encyclopedias. Through the use of a chronology, an introductory essay, a bibliography, an appendix, and hundreds of cross-referenced dictionary entries on directors, stage designers, actors, plays, playwrights, concepts, theater buildings, and troupes, this reference provides an unrivaled account of Russian theater.
This second edition of Historical Dictionary of Russian Theater covers its history through a chronology, an introductory essay, appendixes, and an extensive bibliography.
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