Bøger af Lawrence M. Friedman

This is the fifth edition of a very successful textbook on clinical trials methodology, written by recognized leaders who have long and extensive experience in all areas of clinical trials.

Through a series of historical analyses, Friedman explores the relationship between the legal system and the development of modern science and technology.

In a society of strangers, there develops what can be called crimes of mobility -- forms of criminality rare in traditional societies: bigamy, the confidence game, and blackmail, for example. What they have in common is a kind of fraudulent role-playing, which the new society makes possible.

This book examines our basic understandings of privacy as they are challenged by modern technology, changing social mores, and evolving legal understandings that both reflect and reinforce underlying changes in society.

Throughout America’s history, our laws have been a reflection of who we are, of what we value, of who has control. They embody our society’s genetic code. In the masterful hands of the subject’s greatest living historian, the story of the evolution of our laws serves to lay bare the deciding struggles over power and justice that have shaped this country from its birth pangs to the present. Law in America is a supreme example of the historian’s art, its brevity a testament to the great elegance and wit of its composition.

Under what conditions are laws and rules effective? Lawrence M. Friedman gathers findings from many disciplines into one overarching analysis and lays the groundwork for a cohesive body of work in "impact studies." He examines the importance of communication on the part of lawgivers and the nuances of motive among those subject to the law.

The trial of O. J. Simpson was a sensation, avidly followed by millions of people, but it was also, in a sense, nothing new. One hundred years earlier the Lizzie Borden trial had held the nation in thrall. The names (and the crimes) may change, but the appeal is enduringand why this is, how it works, and what it means are what Lawrence Friedman investigates in The Big Trial.What is it about these cases that captures the public imagination? Are the "e;headline trials"e; of our period different from those of a century or two ago? And what do we learn from them, about the nature of our society, past and present? To get a clearer picture, Friedman first identifies what certain headline trials have in common, then considers particular cases within each grouping. The political trial, for instance, embraces treason and spying, dissenters and radicals, and, to varying degrees, corruption and fraud. Celebrity trials involve the famouswhether victims, as in the case of Charles Manson, or defendants as disparate as Fatty Arbuckle and William Kennedy Smithbut certain high-profile cases, such as those Friedman categorizes as tabloid trials, can also create celebrities. The fascination of whodunit trials can be found in the mystery surrounding the case: Are we sure about O. J. Simpson? What about Claus von Bulowtried, in another sensational case, for sending his wife into a coma.? An especially interesting type of case Friedman groups under the rubric worm in the bud. These are cases, such as that of Lizzie Borden, that seem to put society itself on trial; they raise fundamental social questions and often suggest hidden and secret pathologies. And finally, a small but important group of cases proceed from moral panic, the Salem witchcraft trials being the classic instance, though Friedman also considers recent examples.Though they might differ in significant ways, these types of trials also have important similarities. Most notably, they invariably raise questions about identity (Who is this defendant? A villain? An innocent unfairly accused?). And in this respect, The Big Trial shows us, the headline trial reflects a critical aspect of modern society. Reaching across the nineteenth and twentieth centuries to the latest outrage, from congressional hearings to lynching and vigilante justice to public punishment, from Dr. Sam Sheppard (the "e;fugitive"e;) to Jeffrey Dahmer (the "e;cannibal"e;), The Rosenbergs to Timothy McVeigh, the book presents a complex picture of headline trials as displays of powermoments of "e;didactic theater"e;"e; that demonstrate in one way or another whether a society is fair, whom it protects, and whose interest it serves.

The law of succession rests on a single brute fact: you can't take it with you. Friedman's enlightening social history of the law of succession reveals how inheritance reflects changes values and priorities in American families and society.

In this exploration of modern legal culture, Friedman addresses how the contemporary idea of individual rights has altered the legal systems and authority structures of Western societies. Every aspect of law, he argues-from civil rights to personal-injury litigation to divorce law-has been profoundly reshaped, reflecting the power of this concept.