Bøger af Leonard Bernstein

"" Wonderful Town: A New Musical Comedy"" is a book written by Leonard Bernstein. It is a musical comedy that follows the story of two sisters, Ruth and Eileen, who move to New York City in search of fame and fortune. The sisters encounter a series of misadventures and mishaps as they navigate the city and its eccentric inhabitants. Along the way, they meet a colorful cast of characters, including a group of sailors, a newspaper editor, and a wealthy businessman. The book is filled with catchy songs and lively dance numbers that capture the energy and excitement of New York City in the 1930s. It is a heartwarming and humorous tale of sisterhood, friendship, and the pursuit of dreams.Photographs By Vandamm.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This 13-minute song cycle for baritone and piano is an homage to Leonard Bernstein for the centennial celebration of his life. Arias and Barcarolles was Bernstein's last composition. The final movement of that work is a wordless "Nachspiel." This cycle begins and ends with a nod to that work...conjuring the spirit of Lenny for the performance and then reflecting on his life and words at the end. Art's place in society always comes into question, especially during tense political and social times. But for every unanswered question, it seems that Bernstein always had an answer.

Leonard Bernstein was a charismatic and versatile musician—a brilliant conductor who attained international super-star status, and a gifted composer of Broadway musicals (West Side Story), symphonies (Age of Anxiety), choral works (Chichester Psalms), film scores (On the Waterfront), and much more. Bernstein was also an enthusiastic letter writer, and this book is the first to present a wide-ranging selection of his correspondence. The letters have been selected for the insights they offer into the passions of his life—musical and personal—and the extravagant scope of his musical and extra-musical activities.   Bernstein’s letters tell much about this complex man, his collaborators, his mentors, and others close to him. His galaxy of correspondents encompassed, among others, Aaron Copland,Stephen Sondheim, Jerome Robbins, Thornton Wilder, Boris Pasternak, Bette Davis, Adolph Green, Jacqueline Kennedy Onassis, and family members including his wife Felicia and his sister Shirley. The majority of these letters have never been published before. They have been carefully chosen to demonstrate the breadth of Bernstein’s musical interests, his constant struggle to find the time to compose, his turbulent and complex sexuality, his political activities, and his endless capacity for hard work. Beyond all this, these writings provide a glimpse of the man behind the legends: his humanity, warmth, volatility, intellectual brilliance, wonderful eye for descriptive detail, and humor.

YOUNG PEOPLE'S CONCERTS

THE INFINITE VARIETY OF MUSIC

This classic work is perhaps Bernstein's finest collection of conversations on the meaning and wonder of music. This book is a must for all music fans who wish to experience music more fully and deeply through one of the most inspired, and inspiring, music intellects of our time. Employing the creative device of "Imaginary Conversations" in the first section of his book, Bernstein illuminates the importance of the symphony in America, the greatness of Beethoven, and the art of composing. The book also includes a photo section and a third section with the transcripts from his televised Omnibus music series, including "Beethoven's Fifth Symphony," "The World of Jazz," "Introduction to Modern Music," and "What Makes Opera Grand."

Leonard Bernstein's Norton Lectures on the future course of music drew cheers from his Harvard audiences and television viewers. In the re-creation of his talks, the author considers music ranging from Hindu ragas through Mozart and Ravel to Copland, Shoenberg, and Stravinsky.