Bøger af Linda Jane Holden

Throughout her long and storied life, Rachel "Bunny" Mellon's greatest passion was garden design. She and her husband Paul Mellon, one of the wealthiest men in America, maintained homes in New York, Cape Cod, Nantucket, Antigua, and Upperville, Virginia, and she designed the gardens at all of them. She also designed gardens for some of her dearest friends, including the Rose Garden and the East Garden at the White House, at the request of President Kennedy, and the gardens at both the Paris home and the château of couturier Hubert de Givenchy. All of these gardens are featured in The Gardens of Bunny Mellon, illustrated with Mellon's own garden plans, sketches, and watercolors, as well as with archival photographs and specially commissioned photographs of Oak Spring, the Mellon estate in Upperville. Author Linda Holden's text is based on extensive interviews with Mellon before her death in 2014.

Bunny Mellon Style is the intimate story of one of the most unintentionally influential women of twentieth-century design. Learn how her style developed, take a look inside the family homes she designed, get the flavor of her collaborations with French designers of fashion and jewelry, and begin to understand her vast and lasting influence on the world of design. Original research by the authors uncovered Mrs. Mellon's personal writings and correspondences. They talked with people who knew her, who were employed by her, and who spent time in her home and gardens. From published works, they extracted information about personal relationships between Mrs. Mellon and Jackie Kennedy Onasis, designers Billy Baldwin, Balenciaga, Givenchy, and more. Blending stories and accounts from such a wide variety of viewpoints results in a unique perspective of this extraordinary woman who moved in the upper echelon of society but preferred not to be noticed in the public eye. This book reveals Mrs. Mellon's style in furnishings, art, and collectibles; her dietary habits and penchant for picnics; her personal investment in designing every aspect of her homes, secondary buildings, and gardens. Come away with the highest regard for a woman who was disciplined and self-taught, who loved learning from historic texts, who was accomplished in myriad ways, and who was as utterly unpretentious and down-to-earth. A foreword by her grandson Thomas Lloyd is both surprising and warm. An abundance of imagery is used, including professional and archival photography, watercolors, whimsical hand drawings, and sketches.