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The Diagram as Paradigm explores medieval diagrams in Byzantium, the Islamicate world, and the Latin West. Case studies consider the theoretical dimensions of diagramming in historical disciplines ranging from philosophy to cosmology. Four introductory essays provide overviews of diagrammatic traditions of the regions explored in this volume.
The Medieval Salento explores the visual and material culture of people who lived and died in this region between the ninth and fifteenth centuries, showing the ways Jews, Orthodox Christians, and Roman-rite Christians used images, artifacts, and texts in Hebrew, Greek, and Latin to construct both independent and intersecting identities.
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