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Independence Day weekend, 1960: a young police officer is murdered, shocking his close-knit community in Stamford, Connecticut. The killer remains at large, his identity still unknown. But on a beach not far away, a young Army doctor, on leave from his post at a research lab in a maximum-security prison, faces a chilling realisation. He knows who the shooter is. In fact, the man-a prisoner out on parole-had called him only days before. By helping his former charge and trainee, the doctor, a believer in second chances, may have inadvertently helped set the murder into motion. And with that one phone call, may have sealed a policeman's fate.Alvin Tarlov, David Troy and Joseph DeSalvo were all born of the Great Depression, all with grandparents who'd left different homelands for the same American Dream. How did one become a doctor, one a police officer and one a convict? In Genealogy of a Murder, journalist Lisa Belkin traces the paths of each of these three men-one of them her stepfather. Her canvas is large, spanning the first half of the 20th century: immigration, the struggles of the working class, prison reform, medical experiments, politics and war, the nature/nurture debate, epigenetics, the infamous Leopold and Loeb case and the history of motorcycle racing. It is also intimate: a look into the workings of the mind and heart.Following these threads to their tragic outcome in July 1960, and beyond, Belkin examines the coincidences and choices that led to one fateful night. The result is a brilliantly researched, narratively ingenious story, which illuminates how we shape history even as we are shaped by it.
Not in my backyard -- that's the refrain commonly invoked by property owners who oppose unwanted development. Such words assume a special ferocity when the development in question is public housing. Lisa Belkin penetrates the prejudices, myths, and heated emotions stirred by the most recent trend in public housing as she re-creates a landmark case in riveting detail, showing how a proposal to build scattered-site public housing in middle-class neighborhoods nearly destroyed an entire city and forever changed the lives of many of its citizens.-- Public housing projects are being torn down throughout the United States. What will take their place? Show Me a Hero explores the answer.-- An important and compelling work of narrative nonfiction in the tradition of J. Anthony Lukas's Common Ground.-- A sweeping yet intimate group portrait that assesses the effects of public policy on individual human lives.
NOW AN HBO MINISERIESNot in my backyard -- that's the refrain commonly invoked by property owners who oppose unwanted development. Such words assume a special ferocity when the development in question is public housing. Lisa Belkin penetrates the prejudices, myths, and heated emotions stirred by the most recent trend in public housing as she re-creates a landmark case in riveting detail, showing how a proposal to build scattered-site public housing in middle-class neighborhoods nearly destroyed an entire city and forever changed the lives of many of its citizens.-- Public housing projects are being torn down throughout the United States. What will take their place? Show Me a Hero explores the answer.-- An important and compelling work of narrative nonfiction in the tradition of J. Anthony Lukas's Common Ground.-- A sweeping yet intimate group portrait that assesses the effects of public policy on individual human lives.
In this highly acclaimed book (the basis of a new HBO miniseries, produced by David Simon, creator of The Wire) Lisa Belkin brings to life a landmark public housing case in Yonkers, New York in riveting detail. What began with a judge's order to build scattered-site public housing in middle-class neighbourhoods, ended in the near destruction of a city - sparking prejudices, fanning emotions into flame and eventually leading to murder and suicide. Belkin's sympathetic portrait of the people at the centre of this crisis - hopeful, fearful, greedy, manipulative, the gamut of human behaviour - is page-turning to its powerful, redemptive end.
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