Bøger af Luca Massimo Barbero

A spatial dialogue between the works of two great masters of sculptureThis publication juxtaposes the work of Lucio Fontana (1899-1968) with that of the contemporary British sculptor Antony Gormley (born 1950), highlighting the relationship between sign and the expressiveness of the materials used by both artists, with a selection of works in sculpture and on paper.

The first catalogue about this specific period of Arnaldo Pomodoro's production (1956-1965)

Published to accompany the first time the Luigi and Peppino Agrati Collection will be revealed to the public; the collection can be viewed between May and August 2018.

The story of Italy at the height of the economic miracle recounted through art.An extraordinary journey through art, politics, and society, with works by artists such as Renato Guttuso, Lucio Fontana, Alberto Burri, Mario Schifano, Mario Merz, and Michelangelo Pistoletto, recounting and reflecting on the contrasts, transformations and new artistic trends in Italy between the end of World War II and the years of protest, from the opposition between Realism and Abstraction in the postwar period to the triumph of Informal Art in the fifties, Pop Art, and Arte Povera and Conceptual Art in the sixties.

The first monograph devoted to this great Italian artist.Franco Angeli was one of the leading figures in the Italian art of the postwar period. Often labeled superficially as “Pop,” he is revealed here, through new documents and studies, as an artist who took a surprising and unprecedented approach to his work.He made his debut in the fifties in a still little-known experimental Roman laboratory where the new generations encountered the masters of Italian art.This book reconstructs the stylistic and artistic reciprocities and the relations of Angeli with his friends and colleagues up until the sixties, a time when, with his attainment of an existential image that was at the same time deeply polemical and provocative, his work developed along versatile lines, in an original dialogue with the international context.

A project specially conceived by the artist, inspired by the masterpieces of the Cini Collection in Venice. An homage to Venice, Muniz’s project includes a series of completely new photos inspired by the old masters of the Cini Collection, paintings by the likes of Francesco Guardi, Dosso Dossi, and Canaletto. The artist revisits the theme of the capriccio in a contemporary key, simulating the brushstrokes with cuttings of illustrations from books on the history of art, carefully selected not only for their colors but also for the images they contain. Continuing the tradition of the artists of the 17th and 18th centuries, Muniz has rearranged these elements in a creative way, constructing new images that, through an interplay of allusions and quotations, intrigue and fascinate.

The brilliant architect and designer Ettore Sottsass ¿made glass¿ from 1947 until the end of his career. This volume documents the entire period of his glass oeuvre, from the series he designed in the 1970s for Vistosi to the Memphis collections of the 1980s, the symbolic forms of the 1990s, the stunning constructions for the Millennium House in Qatar, and the famous Kachinas. The wealth of images, the analysis of design and painting together with the coeval cultural and artistic context, and the summary of works including many unpublished pieces make this volume edited by Luca Massimo Barbero the first scientific study on Ettore Sottsass¿s works in glass and crystal.

A complete and sumptuous survey of the brief but dazzling career of this great protagonist of Italian art. An extraordinary selection of works and a lavish set of illustrations reconstruct in an intimate and thorough way the brief but dazzling trajectory, between creative output and unbridled emotion, followed by Tancredi Parmeggiani, a great exponent of postwar Italian art. From his academic debut to the lyrical colorism of the early days, and from the experimentation typical of nonrepresentational spatialism to his period of gestural abstractionism, culminating in the visionary aesthetics of the sixties and characterized by uneasy and tormented figurations, this book reconstructs all the phases of his career.

A poignant, new artistic enquiry. Vertigo: Au Rendez-Vous des Amis presents the works of three extraordinary contemporary Italian artists, Francesco Candeloro, Riccardo De Marchi, and Arcangelo Sassolino. In this meeting of friends, arising out of the proposal to unite their apparently different approaches, lurk some marvelous snares for the senses. The book has been organized in a refined and unexpected manner so that each artist presents his works in a personal room, but subtly creates a sort of synesthesia, a relationship with the works of his neighbor, his friend, as if to shape cross-references and tensions that demand from the viewer an increase in attention, one that is subtle but necessary.

A seminal experience on the Italian art scene of the 1960s. At the height of the economic miracle of the 1960s, artistic experiments in Italy kept following one another, mixed and merged with an extraordinary speed and intensity.The common aim was to emerge from the disillusionment of the postwar period to build a new vocabulary of signs and images, able to restore the ferment of society and contemporary culture. The book is dedicated to the propositional wealth of that decade, based on a new perspective on the Italian art of those years. The artists represented include Franco Angeli, Domenico Gnoli, Giosetta Fioroni, Tano Festa, Michelangelo Pistoletto, and Mario Schifano, creators of a new and original direction that typified Italian art in that period, of which the book offers ideas, studies, and curiosities.

This catalogue raisonné on the work of Paolo Scheggi is the most complete publication to date on the artist and is an indispensible tool to understanding and investigating his entire oeuvre.

A new privileged point of view, an original, all-round take on the evolution of Fontana's oeuvre through his complete graphic work.

Featuring artists such as Leger, Ernst, Picasso, Mattisse, Dali, Fontana, Beuys, Oldenberg, Lichtenstein and Rauschenberg, This book focuses on art, history and culture from 1948 to 1986.