Bøger af Luis De Miranda

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Teatro Español Anterior Á Lope De Vega: Luis De Miranda; [Obras Publicados]; Sociedad De Bibliófilos Andaluces; Sociedad De Bibliófilos Andaluces Luis de Miranda, Miranda de Villafaña Miranda José María de Alava J. M. Geofrin, 1868 Literary Criticism; European; Spanish & Portuguese; History / General; Literary Criticism / European / Spanish & Portuguese; Spanish literature

Comedia Pr������diga es una obra de teatro escrita por Luis de Miranda en 1869. La trama gira en torno a la vida de una familia adinerada y sus problemas financieros. El patriarca de la familia, Don Juan, ha gastado todo su dinero en vicios y caprichos, dejando a su esposa e hijos en la ruina. La obra sigue los esfuerzos de la familia para recuperar su fortuna y su posici������n social, mientras luchan con sus propios demonios y secretos oscuros. La Comedia Pr������diga es una obra de teatro sat������rica que explora temas como la codicia, la corrupci������n y la moralidad en la sociedad espa�����ola del siglo XIX. Con di�����logos ingeniosos y personajes memorables, esta obra es considerada una de las mejores comedias espa�����olas de la �����poca.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

Bringing together leading international and interdisciplinary scholars, this ground-breaking volume examines the theory and practice of philosophical health in contemporary contexts of care broadly understood, care for the self, care for the other, and care for the world. But what do we mean by philosophical health? Whilst this book does not seek to provide a normative definition, as it explores disparate perspectives and encourages pluralism in philosophical ways of life, one may envision philosophical health as a state of creative coherence between a person's or a group's way of thinking and their way of acting, such that the possibilities for a good life are increased, and the needs for flourishing satisfied. An idea central to philosophical health is the concept of 'possibility'. Without a sense of self-possibility and openness to the future, health loses meaning, and conversely, pathologies are defined by various kinds of impossibilities. As such, philosophical health reconsiders care as a process of cultivating or pruning the compossible in embodied, psychological, and social terms, of allowing things to re-generate, or in some cases to vanish. Drawing on the history of philosophy, phenomenology, new materialism, post-colonialism but also a wide range of contemporary approaches to philosophical practice, Philosophical Health sheds light on the understudied philosophical dimension of care and the healing dimension of philosophizing. Advocating philosophy as a lived practice, it uncovers the increasing relevance of philosophical health to contemporary debates on well-being, well-belonging, counselling, and development.

Esprit de corps has played a significant role in the cultural and political history of the last 300 years. Through several historical case studies, Luis de Miranda shows how this phrase acts as a combat concept with a clear societal impact. He also reveals how interconnected, yet distinct, French, English and American modern intellectual and political thought is. In the end, this is a cautionary analysis of past and current ideologies of ultra-unified human ensembles, a recurrent historical and theoretical fabulation the author calls 'ensemblance'.