Bøger af Luisa Passerini

Before World War II an intimate connection between the ideas of Europe and romantic love was widely accepted and virtually unchallenged. Only after Europe was ravaged by war and fractured by superpower conflict was this connection called into question. Today, with the success of the European Union, such themes are reemerging in art, literature, music, and everyday conversation. In Europe in Love, Love in Europe we revisit Europe between world wars to explore the lost connections between love, culture, and ideology. Passerini investigates different ways in which historians, politicians, psychoanalysts, and psychologists analyzed the crisis of European civilization, providing a history of ideas and emotions. Her focus on specific texts ranges from best-selling novels to artworks set in the context of debates on marriage, sex, and friendship. Europe in Love, Love in Europe concludes with the story of a correspondence between spouses, an English woman and a German man during World War II, a powerful example of what it could mean to live the European dimension of a love relationship in that historical moment. Passerini offers a compelling original perspective on the modern anxiety over national identity and European unity-and a powerful rejoinder to political and cultural Eurocentrism.

It has often been assumed that Europeans invented and had the exclusive monopoly over courtly and romantic love, commonly considered to be the highest form of relations between men and women. This view was particularly prevalent between 1770 and the mid-twentieth century, but was challenged in the 1960s...

Through a post-1968 perspective on the past 50 years, Performing Memory brings together case studies on new developments in the relationship between politics and visual representation-including the histories of dance, theatre, political performance and cinema-and investigates how they relate to the interlinked concepts of visuality, corporeality and mobility. Using a collective transdisciplinary attitude from within historical disciplines, and looking across to artistic fields, this volume demonstrates that memory is not merely a recollection of experience but an interactive process, in which the body, mobile and constrained, is both a point of departure and reference.

Combining the history of ideas and the history of emotions, this work explores the convergence between political and cultural ideas of Europe and the idea of love in the period between the two world wars. The author takes a critical stand towards Euro-centricism.

Examines the connection between memory and forgetfulness in Europe during the twentieth century, women's experience of becoming recognized as full subjects in the time of the crisis and "death" of the so-called universal subject, and the conjugation between utopia and desire in the 1968 movements of students, women and workers.

This book is based on the oral life histories of about 70 men and women workers, born between the end of the last century and 1920.

Understanding Europe's past became an urgent matter with the events of August 1991 in Moscow, in the former Soviet Union

In the new introduction to the paperback edition of this volume in the Memory and Narrative series, Leydesdorff and Crownshaw underline the fundamental importance of the struggle for memory and its meaning.

"Gender and Memory" brings together contributions from around the world and from a range of disciplines, to create a volume that confronts all those concerned with autobiographical testimony and narrative, both spoken and written.