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Whether it be England or America, Amelia Earhart or a commoner, war or wedding, this collection of poems paints your imagination with visions of them all. ""In Lynn Strongin's work, bread suddenly becomes 'the color of buffalo'. Strongin magnifies the world around us."" - Hugh Fox, late great poet and critic ""Lynn Strongin's poems carefully explore historical memory and a sense of recovery with a lyricism that is never sentimental, but disciplined, complex. She explores... how to live after the blade, to live as either wounded or as a ghost. I love the notion of secret history, the beatitudes and brutalisms behind all our grander... fictions."" - Jonathan Minton ""Accept Lynn Strongin's invitation into this magical kingdom of bees, lambs and foxes. Wish too: 'We can only afford to push away what we utterly possess.'"" - Glenna Luschei, poet and publisher
Lynn Strongin a a marathon word-sprinter. Her work is beyond the pale. James LeCuyer, poet & teacher, San Francisco Very much the work of a true poet. Denise Levertov, poet, author of With Eyes At the Back Of Our Head, The Sorrow Dance: Poems, and Footprints What a great poet you are. Kay Boyle, poet and fiction writer, author of Winter Night, and Collected Poems of Kay Boyle All of Strongin's characters struggle in one way or another to find a way out of exile-whether it is the literal exile from geographic place, the figurative exile of adolescence and recovery, or simply the exile that we must all endure as we find our way into our individuality. Jonathan Minton, poet & editor Word-for-Word North and South are frames of mind as well as haunting inner and outer landscapes in Lynn Strongin's work Cassandra Robison, editor Magnolia, former editor Artistry Of Life I wouldn't call Lynn Strongin's work 'regional' though she speaks of place - what she really does is fracture place in the way the cubists fracture shape - and the soul remakes itself as composite. Susan Bright, poet, author of Breathing Under Water, Next to the Last Word, and House of the Mother
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