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An epidemic is a feeling set within time as much as it is a matter of statistics and epidemiology: it is the feeling of many of us desperately in the same place at the same time. Opioid epidemic thus names a present historic and historical moment centered on the substance of opioids as much as it names the urgency of all of us who are currently in proximity to these substances. What is the relationship between these historic and historical moments, the present moment, the history of pharmacological capitalism and a set of repeated neurological activities and human loss and desire that has fueled the exponential rise in the rates of opioid use and abuse between 2000-2018?Opioids: Addiction, Narrative, Freedom is an auto-ethnography written from deep within-biologically within-this opioid epidemic. Tracing opioids around and through the bodies, governmental, and medical structures they are moving and being moved through, Opioids is an examination of what it means to live within an environment saturated with a substance of deep economic, political, neuroscientific, and pharmacological implications. From exploring media coverage of the epidemic and emerging medical narratives of addiction to detailing the legal inscription of differences between "pain patients" and people addicted to drugs, Opioids consistently asks: what is it like to live within an epidemic? What forms of freedom become possible when continually modulated by our physical experiences the material proximities of an epidemic?How do you live with something for a long time?
How is illness represented in today's cultural texts? In Ghostbodies, Maia Dolphin-Krute argues that the illusive sick body is often made invisible - a ghost - because it does not always fit society's definition of disability. In these pages, she reflectively engages in a philosophical discussion of the lived experience of illness alongside an examination of how language and cultural constructions influence and represent this experience in a variety of forms. The book provides a linguistic mirror through which the reader may see his or her own specific invalidity reflected, enabling an examination of what it is like to live within a ghostbody. In the end, Dolphin-Krute asks - if illness is not what it seems, what then is health?
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