Bøger af Mairtin O Cadhain

A brilliant new translation of Ó Cadhain's modern Irish literature masterpiece, meant to spark debate and comparison with Alan Titley's Dirty Dust, now with bonus materials on its history, reception, interpretations, adaptations, and more "Gloriously attuned to the energy, copiousness, invective and ribaldry of the original Cre na Cille."--Patricia Craig, Times Literary Supplement "Corrosively satirical and darkly comic. . . . A tour de force of a gabfest."--Mark Harman, Los Angeles Review of Books In critical opinion and popular polls, Máirtín Ó Cadhain's Graveyard Clay is invariably ranked the most important prose work in modern Irish. This bold new translation of his radically original Cré na Cille is the shared project of two fluent speakers of the Irish of Ó Cadhain's native region, Liam Mac Con Iomaire and Tim Robinson. They have achieved a lofty goal: to convey Ó Cadhain's meaning accurately and to meet his towering literary standards. Graveyard Clay is a novel of black humor, reminiscent of the work of Synge and Beckett. The story unfolds entirely in dialogue as the newly dead arrive in the graveyard, bringing news of recent local happenings to those already confined in their coffins. Avalanches of gossip, backbiting, flirting, feuds, and scandal-mongering ensue, while the absurdity of human nature becomes ever clearer. This edition of Ó Cadhain's masterpiece is enriched with footnotes, bibliography, publication and reception history, and other materials that invite further study and deeper enjoyment of his most engaging and challenging work.

A collection of the finest stories from the Irish author of The Dirty Dust, published fifty years after his death

A riveting English translation the Irish classic tale of heartache, death, and loneliness by the beloved author of The Dirty Dust

Now available in paperback, the original English-language translation of O Cadhain's raucous masterpiece

In An Eochair (The Key), one of Máirtín Ó Cadhain's most Kafkaesque short stories (and one of his longest), J., a 'paper-keeper,' one of the more junior civil servant positions, accidentally locks himself in his office when the key breaks in the lock. The story -- a mixture of satire, farce, black comedy and, ultimately, tragedy -- relates the efforts of J. and various other characters, his wife, civil service colleagues and superiors and others, to extricate himself from his predicament. However, all efforts to free J. must be in accordance with civil service protocols, and no such protocol exists for J.'s unique dilemma.