Bøger af Maria Hlavajova

Merging theoretical models derived from anthropology and from contemporary art discourse, We Roma: A Critical Reader in Contemporary Art looks at the Roma (i.e. Romany, or gypsy) lifestyle and examines its resonances with current civic and artistic concerns. As social and economic injustice extends from the historically marginalized to the "99 percent," this volume takes ideas from gypsy culture and the pioneering work of anthropologist Alfred Gell to propose alternative modes of existence for the disenfranchised. It contains both old and new writing by artists, theorists and activists of both Roma and non-Roma origin: Albert Atkin, Huub van Baar, Zygmunt Bauman, Delaine & Damian James le Bas, Ethel Brooks, Agnes Daróczi, Tony Gatlif & Cécile Kovacshazy, Ian Hancock, Sanja Ivekovic, Timea Junghaus, Irit Rogoff, Regina Römhild & Bonaventure Soh Bejeng Ndikung, Salman Rushdie and Mike Sell.

Artists and writers consider a tactical desertion from the "culture wars”—a refusal to be distracted, an embrace of the emancipatory understanding of culture.Deserting from the Culture Wars reflects upon and intervenes in our current moment of ever-more polarizing ideological combat, often seen as the return of the "culture wars.” How are these culture wars defined and waged? Engaging in a theater of war that has been delineated by the enemy is a shortcut to defeat. Getting out of the reactive mode that produces little but a series of Pavlovian responses, this book proposes a tactical desertion from the culture wars as they are being waged today—a refusal to play the other side's war games, an unwillingness to be distracted.The volunteer troops in the culture wars are often given marching orders by professional masters of propaganda. What, then, might artists and others who are professionally engaged with images and imaginaries, with narratives and assemblies, have to contribute to the collective discovery of different modes of living culture? Far from limiting the performance of culture to a one-sided speech act, to the abstract "right to say something,” an emancipatory understanding of culture needs to conceive of it as embodied and intersubjective—as a collective performance.ContributorsBini Adamczak, Kader Attia, Rose Hammer, Tom Holert, Charl Landvreugd and Sebastian Olma, Geert Lovink and Esmee Schoutens, Sven Lütticken, Diana McCarty, Dan McQuillan, Johannes Paul Raether, Natascha Sadr Haghighian, Jonas Staal

Artists, theorists, activists, and scholars propose concrete forms of non-fascist living as the rise of contemporary fascisms threatens the foundations of common life.Propositions for Non-Fascist Living begins from the urgent need to model a world decidedly void of fascisms during a time when the rise of contemporary fascisms threatens the very foundations of a possibility for common life. Borrowing from Michel Foucault's notion of "non-fascist living” as an "art of living counter to all forms of fascism,” including that "in us all... the fascism that causes us to love power, to desire the very thing that dominates and exploits us,” the book addresses the practice of living rather than the mere object of life.Artists, theorists, activists, and scholars offer texts and visual essays that engage varied perspectives on practicing life and articulate methods that support multiplicity and difference rather than vaunting power and hierarchy. Architectural theorist Eyal Weizman, for example, describes an "unlikely common” in gathering evidence against false narratives; art historian and critic Sven Lütticken develops a non-fascist proposition drawn from the intersection of art, technology, and law; philosopher Rosi Braidotti explores an ethics of affirmation and the practices of dying.Propositions for Non-Fascist Living is the first in a BASICS series of readers from BAK, basis voor actuele kunst, Utrecht, engaging some of the most urgent problems of our time through theoretically informed and politically driven artistic research and practice.Contributors includeRosi Braidotti, Denise Ferreira da Silva, Jota Mombaça, and Thiago de Paula Souza, Forensic Architecture, Stefano Harney and Fred Moten, Patricia Kaersenhout and Lukás Likavcan, Sven Lütticken, Jumana Manna, Dan McQuillan, Shela Sheikh, Eyal Weizman, Mick WilsonCopublished with BAK, basis voor actuele kunst