Bøger af Maria Stavrinaki

This lavishly illustrated volume documents the first public presentation of a recent monumental sculpture by Richard Serra, one of the most significant artists of his generation.Richard Serra has produced large-scale sculptures for architectural, urban, and landscape settings spanning the globe. This volume, published to coincide with a 2021–22 exhibition at Gagosian Le Bourget in Paris, presents a recent sculpture by the artist: Transmitter (2020). Made of weatherproof steel, Transmitter is monumental in scale, measuring approximately 4 meters in height and 18 meters in width and length. Here, immersive installation views of the sculpture within the vast exhibition space of Gagosian Le Bourget in Paris are accompanied by plate photography of fourteen recent works on paper by the artist. A new text by art historian Maria Stavrinaki (in English and French) reads Serra’s long sculptural practice through three formal, temporal, and political moments.Richard Serra was born in 1938 in San Francisco, and lives and works in New York. His work is held in major museum collections around the world. Since 1983, Gagosian has presented thirty-seven exhibitions of Serra’s work in the United States and Europe.

THE DISSIDENT GODDESSES' NETWORK is an interdisciplinary research project based on the important finds of female figurines from Lower Austria's early and prehistoric period. It identifies issues connected to these finds and examines them from today's perspective: What do these finds mean? Do they have an effect on the position of women today? What does the soil tell us, how are archaeology, economy and ecology interlinked? What recording systems could be used to map the things that the territory reveals? What future could be sketched out, what demands would have to be made? This book presents the results of a scientific-artistic research phase of the project that lasted several years, concluding with an exhibition at the State Gallery of Lower Austria in Krems entitled READING THE EARTH. A project by the Academy of Fine Arts Vienna in association with FORUM MORGEN

"Prehistory is an invention of the later nineteenth century. It was in this moment of technological progress and the acceleration of production and circulation, that three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to reckon the age of the Earth; second, to find a point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki's Transfixed by Prehistory considers the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if it was considered through these three, at once consecutive and interwoven, inventions of the longue durâee? This book attempts to articulate such a history, which turns out to be more complex than that of an inevitable march of progress leading up to the "Anthropocene." Rather, it's a history of stupor, defamiliarization, regressive acceleration and incessant invention, since the "new" was also found in the deep sediments of the Earth. Composed as much of speed as of slowness, as much of change as of deep time, as much of confidence as of skepticism and doubt, modernity is a complex phenomenon that needs to be thought again. This book focuses on this intrinsic tension through major artistic practices (Câezanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jèunger) and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology"--

Rather than exploring the Dada movement from the usual perspective of its strategies of shock and opposition, this book gives us a new picture of Dada art and writings as a lucid reflection on history and the role of art therein.