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From antiquity through the Enlightenment, disasters were attributed to the obscure power of the stars or the vengeance of angry gods. In this title, the author argues that post-Enlightenment culture has been haunted by the sense of emergency that made natural catastrophes and human deeds both a collective crisis and a personal tragedy.
From antiquity to the Enlightenment, monstrous children were attributed to the power of the mother's imagination to distort the act of procreation. How this idea reappeared transformed in the Romantic period is explored in this study of theories linking imagination, art and monstrous progeny.
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