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En inspirerende og indsigtsfuld beretning om at nå milepælen 50 år uden selvbedrag eller sentimentalitet, men derimod med glæde, harmoni og blikket rettet mod fremtiden. Om at skære igennem og sige fra over for samfundets højtråbende krav om, at vi skal holde os unge og arbejde længere. Ansporet af sit eget brutale møde med klimakteriet vejer Marina Benjamin den snart midaldrendes glæder, sorger og livsmuligheder op mod hinanden, blandt andet med inspiration fra litteraturen og filosofien. Undervejs afslører hun desuden hormonbehandlingernes hemmelige og kvindefjendske historie og fortæller, hvorfor en dosis Jung er bedre end en tur i fitnesscenteret. At tage sig af sine til stadighed ældre forældre, sorgen og chokket forbundet med at miste en af dem, samtidig med at hun selv er forælder til en teenager og hendes egne begyndende skavanker er livsvilkår, som er fælles for mange midaldrende. Og midt i alt dette viser hun, at det er muligt at hengive sig til og favne overgangsalderen.
Sometimes I think that carrying--other people, the continuity of history, generational identity, the emotional load of the everyday--is the main thing that women do. In Marina Benjamin's new set of interlinked essays, she turns her astute eye to the tasks once termed "women's work". From cooking and cleaning to caring for an aging relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through. Drawing on the work of figures such as Natalia Ginzburg, Paula Rego, and Virginia Woolf, Benjamin writes with fierce candor of the struggle to overwrite the gender conditioning that pulls her back into "the mud-world of pre-feminism" even as she attempts to haul herself out. From her upbringing as the child of immigrants with fixed traditional values, to looking after her mother and seeing her teenager move out of home, she examines her relationships with with family, community, her body, even language itself. Ultimately, she shows that a woman's true work may lie at the heart of her humanity, in the pursuit both of transformation and of deep acceptance.
Featured in Stylist's 'Can't Miss' Books of 2023Sometimes I think that carrying - other people, the continuity of history, generational identity, the emotional load of the everyday - is the main thing that women do. In Marina Benjamin's new set of interlinked essays, she turns her astute eye to the tasks once termed 'women's work'. From cooking and cleaning to caring for an ageing relative, A Little Give depicts domestic life anew: as a site of paradox and conflict, but also of solace and profound meaning. Here, productivity sits alongside self-erasure, resentment with tenderness, and the animal self is never far away, perpetually threatening to break through. Drawing on the work of figures such as Natalia Ginzburg, Paula Rego, and Virginia Woolf, Benjamin writes with fierce candour of the struggle to overwrite the gender conditioning that pulls her back into 'the mud-world of pre-feminism' even as she attempts to haul herself out. From her upbringing as the child of immigrants with fixed traditional values, to looking after her mother and seeing her teenager move out of home, she examines her relationships with family, community, her body, even language itself. Ultimately, she shows that a woman's true work may lie at the heart of her humanity, in the pursuit both of transformation and of deep acceptance.
In 1958, mankind's centuries-long flirtation with space flight became a torrid love affair. For a decade, tens of millions of people were enraptured -- first, by the U.S.-Soviet race to the moon, and finally, as America outstripped its rival, by Project Apollo alone. It is now more than three decades since the last man walked on the moon...more time than between the first moonwalk and the beginning of World War II. Apollo did not, as had been promised by a generation of visionaries, herald the beginning of the Space Age, but its end. Or did it? Project Apollo, like a cannonball, reached its apogee and returned to earth, but the trajectory of that return was complex. America's atmosphere -- its economic, scientific, and cultural atmosphere -- made for a very complicated reentry that produced many solutions to the trajectory problem. Rocket Dreams is about those solutions...about the places where the space program landed. In Rocket Dreams, an extraordinarily talented young writer named Marina Benjamin will take you on a journey to those landing sites. A visit with retired astronauts at a celebrity autograph show is a starting point down the divergent paths taken by the pioneers, including Edgar Mitchell, founder of the "e;church"e; of Notic Sciences. Roswell, New Mexico is a landing site of a different order, the "e;magnetic north"e; of UFO belief in the United States -- a belief that began its most dramatic growth precisely at the time that the path of the space program began its descent. In the vernacular, the third law of motion states that what goes up, must come down. Thus the tremendous motive force that energized the space program didn't just vanish; it was conserved and transformed, making bestsellers out of fantasy literature, spawning Gaia, and giving symbolism to the environmental movement. Everything from the pop cultural boom in ufology to the worldwide Search for Extra-Terrestrial Intelligence (SETI) feeds on the energy given off by America's leap toward space. Rocket Dreams is an eloquent tour of this Apollo-scarred landscape. It is also an introduction to some of the most fascinating characters imaginable: Some long dead, like the crackpot visionary Alfred Lawson, who saw in space flight a new stage of human evolution ("e;Alti-Man"e;), or Robert Goddard, the father of rocketry, whose workshop in Roswell stands only half a mile from shops selling posters of alien visitors. Others are very much alive -- like Stewart Brand, creator of the Whole Earth Catalog and partner with Gerard O'Neill in the drive to build free-floating space colonies, and SETI astronomer Seth Shostak, who has spent decades listening to the skies, hoping for the first contact with another intelligent species. Perceptive, original, and wonderfully written, informed by history, science, and an acute knowledge of popular culture, Rocket Dreams is a brilliant book by a remarkable talent.
Marina Benjamin grew up in London feeling estranged from her family''s exotic Middle Eastern ways. She refused to speak the Arabic her mother and grandmother spoke at home. She rejected the peculiar food they ate in favor of hamburgers and beer. But when Benjamin had her own child a few years ago, she realized that she was losing her link to the past. In Last Days in Babylon, Benjamin delves into the story of her family''s life among the Jews of Iraq in the first half of the twentieth century. When Iraq gained independence in 1932, Jews were the largest and most prosperous ethnic group in Baghdad. They dominated trade and finance, hobnobbed with Iraqi dignitaries, and lived in grandiose villas on the banks of the Tigris. Just twenty years later the community had been utterly ravaged, its members effectively expelled from the country by a hostile Iraqi government. Benjamin''s grandmother Regina Sehayek lived through it all. Born in 1905, when Baghdad was still under Ottoman control, her childhood was a virtual idyll. This privileged existence was barely touched when the British marched into Iraq. But with the rise of Arab nationalism and the first stirrings of anti-Zionism, Regina, then a young mother, began to have dark premonitions of what was to come. By the time Iraq was galvanized by war, revolution, and regicide, Regina was already gone, her hair-raising escape a tragic exodus from a land she loved -- and a permanent departure from the husband whose gentle guiding hand had made her the woman she was. Benjamin''s keen ear and fluid writing bring to life Regina''s Baghdad, both good and bad. More than a stirring story of survival, Last Days in Babylon is a bittersweet portrait of Old World Baghdad and its colorful Jewish community, whose roots predate the birth of Islam by a thousand years and whose culture did much to make Iraq the peaceful desert paradise that has since become a distant memory. In 2004 Benjamin visited Baghdad for the first time, searching for the remains of its once vital Jewish community. What she discovered will haunt anyone who seeks to understand a country that continues to command the world''s attention, just as it did when Regina Sehayek proudly walked through Baghdad''s streets. By turns moving and funny, Last Days in Babylon is an adventure story, a riveting history, and a timely reminder that behind today''s headlines are real people whose lives are caught -- too often tragically -- in the crossfire of misunderstanding, age-old prejudice, and geopolitical ambition.
In a society obsessed with living longer and looking younger, what does middle age mean today?Spurred by her own brutal propulsion into menopause, Marina Benjamin's clear-eyed account of our middle years takes inspiration from literature and philosophy to weigh the challenges and opportunities of mid-life. It offers an inspired and expanded vision of how to be middle-aged happily and harmoniously, without sentiment or delusion.
From the first landings on the moon to the implications of our cyber worlds, this unusual and intriguing book takes a provocative look at our fascination with space. Rocket Dreams is a fast-moving, fact-filled study of how all the dreams that went in to moonflight in the '60s have found new homes and mutated into new fascination with space.
Marina Benjamin grew up in London, feeling estranged from her family's Middle Eastern ways. But when Benjamin had her child she realized that she was losing her link to the past, inspiring a journey to Baghdad. This story reminds us that behind the headlines are real people whose lives are caught in the crossfire of prejudice and ambition.
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