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A fascinating exploration of the musical traditions of the Hebrides and the unique interpretive framework developed by composer Marjory Kennedy-Fraser, with insightful commentary on the cultural and historical context of these ancient ballads.This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it.This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is a collection of traditional Gaelic songs from the Hebrides of Scotland, with musical scores and English translations. They were collected during the early 1900s when the people of the Scottish Highlands and Islands still lived a traditional lifestyle they had followed for hundreds of years. The songs were composed and sung by the women of the Isles, not only at their diversions, but also during almost every kind of work where more than one person is concerned, as milking cows, watching the folds, fulling of cloth, grinding of grain with the quern, haymaking and cutting down corn.
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