Bøger af Mark Phillips

11 classic folk songs arranged as Travis-style instrumental solos in standard notation and tablature. Includes: All My Trials, All the Pretty Little Horses, The Cruel War Is Raging, Freight Train, Grandfather's Clock, House Carpenter, Jesse James, Johnny Has Gone for a Soldier, Man of Constant Sorrow, Wayfaring Stranger, Wildwood Flower.

This is the ultimate Honeymooners trivia challenge! Over 350 fun multiple choice questions! Can you answer these: According to Norton, at how many feet per second does the aroma of egg foo yung rise? How long ago did Norton meet Ralph? (10 years ago, 15 years ago, or 150 pounds ago?) On a tax return, must you report the value of a horse with a clock in its stomach received as a prize for high score on a pizzeria's pinball machine? Bonus section: Trivial but interesting facts about the cast, characters, and show! Loads of fun for parties. A must-have for any true Honeymooners fan!

50 Bach masterpieces for solo guitar, and 20 more for guitar duet (all in standard notation and tablature). Includes (GUITAR SOLO): Agnus Dei (from Mass in B Minor); Air on the G String; Arioso; Be Thou with Me; Beloved Soul, Thy Thoughts Withdraw Now; Blessed, He Who Thinks on Jesus; Bourrée in E Minor; Break Forth O Beauteous, Heavenly Light; Break in Two, My Poor Heart; Brethren, When This Day Comes; Cello Suite No. 1: Prelude; Cello Suite No. 1: Gigue; Cello Suite No. 1: Minuet I; Cello Suite No. 1: Minuet II; Cello Suite No. 2: Minuet I; Cello Suite No. 2: Minuet II; Cello Suite No. 3: Bourrée I; Cello Suite No. 3: Bourrée II; Cello Suite No. 4: Bourrée II; Cello Suite No. 5: Gavotte I; Cello Suite No. 6: Gavotte I; Cello Suite No. 6: Gavotte II; Come Again from Out the Dark Tomb; Come, Sweet Death; Confine, Ye Wise Men of the World; Dearest Lord Jesus; Forget Me Not, Forget Me Not; Gavotte (from Cantata No. 202); God, How Great Thy Goodness Is; I Love Jesus Always; I Shall Not Leave Thee; I Shall Remain Faithfully Silent; I Stand Here by Thy Crib; I Worship Thee, My God Most High; Jesu, Joy of Man's Desiring; Jesus, Jesus, Thou Art Mine; Little Prelude No. 2 (from Six Little Preludes); Lord, I Believe, Help Me in My Weakness; Minuet in G; My Jesus, How Great Anguish of Soul; O Jesus So Sweet; O Mighty Love; Oh, That Is Not the Last Hour; One Thing Is Needful, O Lord; Prelude for Lute; Prelude No. 1 (from The Well-Tempered Clavier, Book I); Prelude No. 3 (from The Well-Tempered Clavier, Book II); Prelude No. 6 (from The Well-Tempered Clavier, Book I); To Thee, Thee, Jehovah, I Will Sing; Up, Up! The Proper Time Is Here. (GUITAR DUET): Agnus Dei (from Mass in B Minor); Air on the G String; Arioso; Chorale (from St. Matthew Passion); French Suite No. 5: Gavotte; Jesu, Joy of Man's Desiring; Jesus, My Joy; Keep, O My Spirit; Lute Suite in C Minor: Gigue; Lute Suite in C Minor: Prelude; Lute Suite in C Minor: Sarabande; Lute Suite in E Minor: Allemande; Lute Suite in G Minor: Gigue; Lute Suite in G Minor: Gavotte I; Prelude for Lute; Prelude No. 1 (from The Well-Tempered Clavier, Book I); Sheep May Safely Graze; Siciliano (from Flute Sonata in E-flat Major); Sleepers, Wake; Two-Part Invention No. 13.

The music of Vivaldi made easy for solo classical guitar. Notated in standard notation and tablature. Includes: Adagio (from Violin Sonata, RV 7a) - Adagio (from Violin Sonata, RV 26) - Affettuoso (from Flute Sonata, RV 48) - Andante (from Cello Sonata, RV 39) - Andante (from Violin Sonata, RV 25) - Gavotte (from Violin Sonata, RV 9) - Gavotte (from Violin Sonata, RV 16) - Largo (from Cello Sonata, RV 44) - Largo (from Recorder Sonata, RV 806) - Rondeau (from Cello Sonata in A major) - Sarabande (from Violin Sonata, RV 756)

It's the secret, unspeakable dream shared by every minister. After years of diligent work in an average-sized church, you glance up one Sunday and notice a new family. The next month you notice another. Soon it seems like somebody new arrives almost every week. Suddenly you are the leader of a living, breathing, growing church! Like any roller coaster ride, this one begins with a long, slow ascent. Attendance climbs. Giving climbs. Expectations climb. Of course a few problems crop up along the way, because, as with every other roller coaster, this one has a long and often scary downside. Even as your church continues to climb in every measurable statistic, you, the spiritual leader, may well find yourself in a virtual free-fall as you struggle over how to manage the impact this change will have on your congregation. What can you, as a minister in a growing church, do to survive the pitfalls that lie just around the corner? What do you do when the old ways no longer work?

Ten gems from Tchaikovsky's ballet "The Nutcracker," arranged for intermediate-level alto sax duet. Includes Overture, The Magic Castle in the Land of Sweets, March, Dance of the Sugar Plum Fairy, Russian Dance, Arabian Dance, Chinese Dance, Dance of the Reed Flutes, Waltz of the Flowers, and Pas de Deux.

Forty relatively short and easy baroque pieces by 40 different baroque composers for classical guitar in standard notation and tablature. Includes: Tomaso Albinoni, ADAGIO (from Sonata da chiesa in F Major, Op. 4, No. 3); Johann Sebastian Bach, ONE THING IS NEEDFUL, O LORD, THIS ONE THING (from the Schemelli Songbook); John Banister, BOURRÉE; Ernst Gottlieb Baron, MINUET (from Lute Suite in A Minor); John Blow, THEATRE TUNE (from Musick's Hand-Maid, Part 2); Giuseppe Antonio Brescianello, ARIA (from Lute Partita No. 6); Dietrich Buxtehude, SARABANDE (from Harpsichord Suite in E Minor, BuxWV 236); Marc-Antoine Charpentier, MINUET I (from Two Minuets for German Flutes, H. 541); Francesco Corbetta, PRELUDE (from Suite in A Minor for Baroque Guitar); Arcangelo Corelli, GAVOTTE (from Concerto Grosso in F Major, Op. 6, No. 9); François Couperin, PRELUDE I (from L'art de toucher le clavecin); Louis-Claude Daquin, MINUET I (from Suite de la réjouissance); Charles Dieupart, GAVOTTE (from Harpsichord Suite No. 4); Johann Christoph Faber, MINUET (from Suite in G Major for Recorder Trio); Adam Falckenhagen, MINUET (from Minuet and Variation); Johann Fischer, AIR ANGLOIS (from Euterpe Suite); Johann Jakob Froberger, COURANTE (from Harpsichord Partita in E Minor, FbWV 607); Christoph Graupner, ARIA (GWV 821); Elisabeth-Claude Jacquet de la Guerre, SARABANDE (from Harpsichord Suite in A Minor); George Frederick Handel, BOURRÉE (from Oboe Sonata in C Minor, HWV 366);; Johann Adolph Hasse, BOURRÉE; Giovanni Girolamo Kapsperger, RITORNELLO (from Apotheosis sive Consecratio SS Ignatii et Francisci Xaverii); Johann Krebs, MINUET II (from Harpsichord Partita in B-flat Major, WV 823); Johann Krieger, GAVOTTE (from 6 Musikalische Partien); Johann Anton Logy, BALLET; Jean-Baptiste Lully, GAVOTTE; Johann Pachelbel, ARIA II (from Hexachordum Apollinis); Giovanni Battista Pergolesi, ANDANTE (from Trio Sonata in G Minor); Henry Purcell, WHEN I HAVE OFTEN HEARD YOUNG MAIDS (from The Fairy Queen, Z 629); Wenzel Ludwig von Radolt, CANON (from Die aller treüeste Freindin); Jean-Philippe Rameau, LA BOITEUSE (from Harpsichord Suite in D Major, RCT 3); Valentin Rathgeber, ARIA (from Musical Pastime, Op. 22, No. 36); Lodovico Roncalli, SARABANDE (from Suite in G Major for Baroque Guitar); Jacques de Saint-Luc, SARABANDE; Domenico Scarlatti, MINUET (from Harpsichord Sonata No. 40); Johann Sigismund Scholze, ARIA (from Sperontes, singende Muse an der Pleisse, Part 3, No. 23); Georg Philipp Telemann, GAVOTTE; Robert de Visée, GIGUE (from Suite in D Minor for Baroque Guitar); Antonio Vivaldi, GAVOTTE (from Violin Sonata in E Minor, RV 16); Sylvius Leopold Weiss, MINUET (from Lute Suite in F Major).

12 pieces by J. S. Bach made easy for solo classical guitar. Includes: Air on the G String - Arioso - Be Thou with Me - Break Forth O Beauteous, Heavenly Light - Come, Sweet Death - Forget Me Not - Gavotte (from Cantata 202) - Jesu, Joy of Man's Desiring - Lord, I Believe, Help Me in My Weakness - Minuet in G - O Jesus So Sweet - O Mighty Love

24 favorite folk songs arranged for Easy Classical Guitar Duet (in standard notation and tablature). Includes: All Through the Night, Annie Laurie, Annie Lisle, The Ash Grove, Auld Lang Syne, Aura Lee, The Blue Bells of Scotland, Country Gardens, Drink to Me Only with Thine Eyes, Flow Gently, Sweet Afton, Greensleeves, Home Sweet Home, Loch Lomond, Londonderry Air (Danny Boy), The Minstrel Boy, My Old Kentucky Home, Old Folks at Home (Swanee River), Scarborough Fair, Shenandoah, Simple Gifts, The Sweetheart of Sigma Chi, Tell Me Why, The Three Ravens, The Water Is Wide.

18 pieces by 18 Spanish guitar composers, in standard tuning and tablature. Covers composers from the Renaissance to the Romantic era. Includes (RENAISSANCE ERA) Luis de Milán, PAVANA NO. 6 (from El Maestro); Luis de Narváez, CANCIÓN DEL EMPERADOR (from Los seys libros del Delphin de música de cifras para tañer vihuela); Alonso Mudarra, GALLARDA (from Tres libros de musica en cifras para vihuela); Enríquez de Valderrábano, SONNET (from Silva de Sirenas, folio XC); Diego Pisador, PAVANA (from Libro de música de Vihuela); Miguel de Fuenllana, TANT QUE VIVRAY (from Orphénica Lyra); Esteban Daza, FANTASIA NO. 9 (from El Parnaso); (BAROQUE ERA) Santiago de Murcia, LA JELOUSIE (from Resumen de acompañar la parte con la guitarra); Gaspar Sanz, PRELUDIO, O CAPRICHO (from Instrucción de música sobre la guitarra española); Francisco Guerau, MARIONAS (from Poema harmónico); (CLASSICAL ERA) Fernando Sor, ANDANTE IN E MINOR (Op. 60, No. 14); Dionisio Aguado, MINUET IN D MINOR (from 6 Petites pieces, Op. 4); (ROMANTIC ERA) José Brocá, WALTZ IN E MAJOR; Jacques Bosch, LAMENTO (from 6 Pièces faciles, Op. 89); Julián Arcas, TANGO IN E MINOR (from Colección de tangos); José Ferrer, WALTZ IN E MINOR (Op. 5, No. 9); Francisco Tárrega, LÁGRIMA (Preludio); Miguel Llobet, ROMANZA. Note: Some pieces are abridged. Pieces from the Renaissance and Baroque eras, originally written for vihuela or baroque guitar, are arranged for modern standard-tuned classical guitar.

20 Beautiful Classical Pieces for Flute and Guitar (in standard notation and tablature). Includes: Air on the G String, Arioso (Bach), Ave Maria (Gounod), Ave Maria (Schubert), Canon in D (Pachelbel), Clair de lune, Für Elise, Gymnopédie, Jesu Joy of Man's Desiring, Liebestraum, Moonlight Sonata, Nocturne No. 2 (Chopin), Pathétique Sonata, Pavane (Fauré), Piano Concerto No. 21 (Mozart), Romeo and Juliet (Love Theme), Sleeping Beauty Waltz, The Swan, Waltz of the Flowers, Where'er You Walk

"The Music of Johannes Brahms for Flute and Guitar," available from Amazon.com, includes nine gems: Am leuchtenden Sommermorgen, An die Nachtigall (Excerpt), Da unten im Tale, Hungarian Dance No. 4 (First Theme), Hungarian Dance No. 5 (First Theme), Symphony No. 1 (Fourth Movement Theme), Symphony No. 3 (Third Movement Theme), Waltz in A-flat Major, Wiegenlied (Lullaby).

12 beautiful Renaissance pieces, arranged for easy classical guitar duet (in standard notation and tablature), featuring music by Palestrina, Monteverdi, Byrd, Josquin, Dowland and others.

20 favorite Celtic folk songs arranged for easy violin duet. Includes: All Through the Night, Annie Laurie, The Ash Grove, The Blue Bells of Scotland, Boulavogue, Carrickfergus, Danny Boy (Londonderry Air), Flow Gently Sweet Afton, The Foggy Dew, A Lark in the Clear Air, The Last Rose of Summer, Loch Lomond, The Minstrel Boy, Molly Malone (Cockles and Mussels), Mountains of Mourne, The Rose of Tralee, Skye Boat Song, The Water Is Wide, Wild Mountain Thyme (Will Ye Go, Lassie, Go?), Ye Banks and Braes o' Bonnie Doon.

Eight enchanting classical guitar duets by Italian guitar master Ferdinando Carulli (presented here for the first time in both standard notation and tablature). Includes: Andante (from Complete Method for Guitar, Op. 27), Largo (from Op. 34, No. 6), Theme (from Op. 48, No. 2), Andante (Op. 72, No. 24), Serenade (Op. 96, No. 1), Larghetto (from Op. 128, No. 3), The Nest and the Rose (Op. 333, No. 1), The Magic Lantern (Op. 333, No. 2).

Eight beautiful movements from Corelli's violin sonatas arranged for flute and guitar (in standard notation and tablature). Includes four Adagios, two Preludes and two Sarabandes.

20 favorite Celtic folk songs arranged for easy flute duet. Includes: All Through the Night, Annie Laurie, The Ash Grove, The Blue Bells of Scotland, Boulavogue, Carrickfergus, Danny Boy (Londonderry Air), Flow Gently Sweet Afton, The Foggy Dew, A Lark in the Clear Air, The Last Rose of Summer, Loch Lomond, The Minstrel Boy, Molly Malone (Cockles and Mussels), Mountains of Mourne, The Rose of Tralee, Skye Boat Song, The Water Is Wide, Wild Mountain Thyme (Will Ye Go, Lassie, Go?), Ye Banks and Braes o' Bonnie Doon.

The great Romantic composers' most beautiful melodies arranged for flute and classical guitar (in standard notation and tablature). Includes: Ave Maria (Schubert), Liebestraum (Liszt), May Breezes (Mendelssohn), Moonlight Sonata (Beethoven), Nocturne, Op. 9, No. 2 (Chopin), Of Strange Lands and People (Schumann), Waltz, Op. 39, No. 15 (Brahms), Waltz of the Flowers (Tchaikovsky).

The music of Domenico Scarlatti made easy for solo classical guitar. Notated in standard notation and tablature. Includes: Sonata No. 32: "Aria" - Sonata No. 34: "Larghetto" - Sonata No. 40: "Minuet" - Sonata No. 42: "Minuet" - Sonata No. 73: "Minuet I" - Sonata No. 73: "Minuet II" - Sonata No. 78: "Minuet" - Sonata No. 176: "Allegrissimo" - Sonata No. 351: "Andante"

Twelve beautiful songs by Renaissance lutenist/composers, arranged for voice and guitar (in standard notation and tablature). Includes: As I Walked Forth (Robert Johnson); Come Again, Sweet Love (John Dowland); Come Live with Me and Be My Love (William Corkine); Come, My Celia (Alfonso Ferrabosco); Every Bush New Springing (Michael Cavendish); Go to Bed, Sweet Muse (Robert Jones); Never Weather-Beaten Sail (Thomas Campion); Rest, Sweet Nymphs (Francis Pilkington); Since First I Saw Your Face (Thomas Ford); Time, Cruel Time (John Danyel); What Is a Day? (Philip Rosseter); What Is Beauty but a Breath (Thomas Greaves). Note: These arrangements have been transposed down from the original keys, and, as such, they are most suitable for soloists with an alto or bass (8vb) range. For sopranos and tenors (8vb); guitarist uses capo to raise pitch a few steps to singer's desired key.

12 of Bach's best sacred songs, from the Schemelli Songbook, arranged for easy piano solo. Includes: Arise, the Time Has Come (Auf, auf! die rechte Zeit ist hier); Come, Sweet Death (Komm, süsser Tod); Forget Me Not (Vergis mein nicht); I Adore Thee, My Highest God (Dich bet' ich an, mein höchster Gott); I Love Jesus Always (Ich liebe Jesum alle Stund); I Shall Remain Faithfully Silent (Ich halte treulich still); Jesus, Jesus, Thou Art Mine (Jesu, Jesu, du bist mein); The Last Hour of My Life (Meines Lebens letzte Zeit); My Jesus, Oh What Anguish (Mein Jesu, was für Seelenweh); O God, How Great Is Your Goodness (Gott, wie gross ist deine Güte); O That Is Not the Last Hour (Ach, dass nicht die letzte Stunde); Thus at Last I Wish to Die in Peace (So wünsch' ich mir zu guter Letzt).

Eleven popular Spanish Christmas carols for flute and guitar (in standard notation and tablature). Includes: A la nanita nana; Arre borriquito; Campana sobre campana; Canta, ríe, bebe; El desembre congelat; El noi de la Mare; Fum, fum, fum; L'àngel i els pastors; Los campanilleros; Los peces en el río; Vamos pastores, vamos.

Ten gems from Tchaikovsky's ballet "The Nutcracker," arranged for intermediate-level violin duet. Includes Overture, The Magic Castle in the Land of Sweets, March, Dance of the Sugar Plum Fairy, Russian Dance, Arabian Dance, Chinese Dance, Dance of the Reed Flutes, Waltz of the Flowers, and Pas de Deux.

Eleven of classical music's most beautiful pieces, arranged for flute and guitar (in standard notation and tablature). Includes: Ave Maria (Bach /Gounod); Ave Maria (Schubert); Ave Verum Corpus (Mozart); Come Again, Sweet Love (Dowland); Laudate Dominum (Mozart); Minuet, from Flute Sonata in E Minor (Handel); Nocturne, Op. 9, No. 2 (Chopin); O Holy Night (Adam); Panis Angelicus (Franck); Pavane (Fauré); Siciliano, from Flute Sonata in E-flat Major (Bach).

Eleven masterpieces by Handel, arranged for classical guitar duet (in standard notation and tablature). Includes: Flute Sonata in B Minor: Andante (HWV 367b), The Harmonious Blacksmith (HWV 430), Harpsichord Suite in B-flat Major: Minuet (HWV 434), Oboe Sonata in C Minor: Bourrée (HWV 366), Organ Concerto in G Minor: Minuet (HWV 310), Recorder Sonata in A Minor: Adagio (HWV 362), Recorder Sonata in C Major: Larghetto (HWV 365), Recorder Sonata in F Major: Siciliana (HWV 369), Recorder Sonata in G Minor: Larghetto (HWV 360), Violin Sonata in G Minor: Larghetto (HWV 364a), Water Music Suite No. 1: Air (HWV 348).

The great French composers' most beautiful melodies arranged for flute and classical guitar (in standard notation and tablature). Includes: Ave Maria (Gounod), Clair de lune (Debussy), Gymnopédie No. 1 (Satie), La Cinquantaine (Gabriel-Marie), Méditation (Massenet), Panis Angelicus (Franck), Pavane (Fauré), Sleeping Beauty's Pavane (Ravel), The Swan (Saint-Saëns).

Nine Bach masterpieces for piano duet (one piano, four hands), featuring a variety of difficulty levels, from easy to advanced intermediate. Includes: Air on the G String (from Orchestral Suite No. 3); Aria (from Goldberg Variations); Chorale (from St. Matthew Passion); Gavotte (from French Suite No. 5); Keep, O My Spirit (from Christmas Oratorio); Largo (from Harpsichord Concerto in F Minor); Prelude No. 1 in C Major (from The Well-Tempered Clavier); Sinfonia (from Christmas Oratorio); Sonatina (from Cantata No.106).

This captivating collection features many renowned composers and their timeless melodies. From Bach to Debussy, experience the beauty of classical music as two violins harmoniously intertwine. Includes: Agnus Dei (from Mass in B Minor) by Bach; Air Anglois in F Major by Fischer; Air in D Minor by Purcell; Air on the G String by Bach; Allegrissimo in A Major by Scarlatti; Allegro (from Piano Concerto No. 14) by Mozart; Allegro for Musical Clock by Beethoven; Allemande in F Major by Weiss; Andante Cantabile by Tchaikovsky; Andante in E-flat Major by Pergolesi; Andante (from Piano Concerto No. 4) by Mozart; Andante (from Piano Concerto No. 15) by Mozart; Andante (from Piano Concerto No. 23) by Mozart; Arabian Dance (from The Nutcracker) by Tchaikovsky; Aria in D Minor by Graupner; Aria in G Major by Scholze; Aria in G Minor by Brescianello; Arioso by Bach; Ave Maria by Gounod; Ave Maria by Schubert; Ave Verum Corpus by Mozart; Bagatelle (Op. 33, No. 6) by Beethoven; Bagatelle (Op. 119, No. 1) by Beethoven; Barcarolle by Offenbach; Bist du bei mir by Bach; Bourrée in B-flat Major by Banister; Bourrée in C Minor by Handel; Bourrée in D Minor by de Visée; Bourrée in E Minor by Bach; Bridal Chorus by Wagner; Caro mio ben by Giordini; Chinese Dance (from The Nutcracker) by Tchaikovsky; Chorale (from St. Matthew Passion) by Bach; Clair de lune by Debussy; Contredanse (from London Sketchbook) by Mozart; Dance of the Blessed Spirits by Gluck; Dance of the Hours by Ponchielli; Dance of the Reed Flutes (from The Nutcracker) by Tchaikovsky; Dance of the Sugar Plum Fairy (from The Nutcracker) by Tchaikovsky; Flower Duet (from Lakmé) by Delibes; Funeral March of a Marionette by Gounod; Für Elise by Beethoven; Gavotte in D Minor by Lully; Gavotte in E Minor by Dieupart; Gavotte in E Minor by Vivaldi; Gavotte in F Major by Corelli; Gavotte in G Major by Krieger; Gavotte in G Major (from French Suite No. 5) by Bach; The Happy Farmer by Schumann; In the Hall of the Mountain King by Grieg; Intermezzo by Mascagni; Jesu, Joy of Man's Desiring by Bach; Keep, O My Spirit by Bach; Klavierstück by Mozart; La Boiteuse in D Minor by Rameau; Là ci darem la mano by Mozart; Largo in E Minor by Telemann; Laudate Dominum by Mozart; Liebestraum by Liszt; Lullaby (Wiegenlied) by Brahms; March (from The Nutcracker) by Tchaikovsky; Melody in F by Rubinstein; Minuet in A Major by Boccherini; Minuet in A Minor by Baron; Minuet in C Major by Faber; Minuet in C Major (from Notebook for Nannerl) by Mozart; Minuet in D Minor by Bach; Minuet in G Major by Bach; Minuet in G Major by Beethoven; Minuet in G Minor by Krebs; Overture (from The Nutcracker) by Tchaikovsky; Panis Angelicus by Franck; Pas de deux (from The Nutcracker) by Tchaikovsky; Pavane by Fauré; Piano Sonata No. 14 (Second Movement Theme) by Beethoven; Piano Sonata No. 18 (Third Movement Theme) by Beethoven; Pie Jesu by Fauré; Pomp and Circumstance by Elgar; Rondeau by Mouret; Rondo alla turca by Mozart; Russian Dance (from The Nutcracker) by Tchaikovsky; Sarabande in A Minor by Logy; Sarabande in E Minor by Buxtehude; Sheep May Safely Graze by Bach; Sleepers, Awake by Bach; Sonatina No. 5 (Third Movement) by Clementi; Surprise Symphony (Second Movement Theme) by Haydn; Symphony No. 1 (Fourth Movement Theme) by Brahms; Symphony No. 4 (Second Movement Theme) by Beethoven; Symphony No. 5 (Second Movement Theme) by Beethoven; Symphony No. 7 (Second Movement Theme) by Beethoven; Symphony No. 8 (Second Movement Theme) by Beethoven; Symphony No. 9 (Fourth Movement Theme: "Ode to Joy") by Beethoven; Theatre Tune in D Minor by Blow; Theme (from Flute Quartet No. 3, Second Movement) by Mozart; Theme (from Flute Quartet No. 4, First Movement) by Mozart; Variations on "Nel cor piu non mi sento," (Variation No. 4) by Beethoven; Waltz of the Flowers (from The Nutcracker) by Tchaikovsky; Wedding March by Mendelssohn; William Tell Overture by Rossini.

Twelve popular German Christmas carols arranged for flute and guitar (in standard notation and tablature). Includes: Beautiful Savior (Schönster Herr Jesu); Born in Bethlehem (Zu Bethlehem geboren); Lo, How a Rose E'er Blooming (Es ist ein Ros entsprungen); Mary Wanders Through the Thorn (Maria durch ein Dornwald ging); O Christmas Tree (O Tannenbaum); O Let Us Praise the Christmas Tree (Der Christbaum ist der schönste Baum); O Little One Sweet (O Jesulein zart); Shepherds' Cradle Song (Wiegenlied der Hirten); Silent Night (Stille Nacht); To Us Is Born a Little Child (Geborn ist uns ein Kindelein); Twilight Is Falling (Es wird scho glei dumpa); The Wind Blows on the Mountain (Auf dem Berge da wehet der Wind).

To "realize" a piece of music that has been only partially-or sparsely-notated by a composer is to add to it, generally by supplying harmonies. For keyboard parts in baroque scores, composers often wrote a so-called "continuo" part, which was merely a bass line with numerals written beneath certain notes (indicating intervals above those notes). Such a bass line is known as "figured bass." The keyboardist (usually a harpsichordist) fleshed out-realized-the continuo by adding intended harmonies indicated by the numerals, usually with the single-note bass line itself doubled by another instrument such as cello or bass viol.Here we've turned that type of realization upside down. Bach's six unaccompanied cello suites, even though they are mainly just single-note melodies, are a world of exquisite beauty for the cellist. But guitarists are capable of playing melodies along with harmonies and bass lines. Bach's cello melodies themselves imply certain harmonies, which in turn imply certain bass notes.By selecting only those movements most conducive to guitar, and by adding bass lines and harmonies implied by the melodies, we've fleshed out-realized-these pieces for easy to intermediate level classical guitar solo (in standard notation and tablature).Includes: Suite No. 1 - Minuet I, Minuet II, Gigue; Suite No. 2 - Minuet I, Minuet II; Suite No. 3 - Bourrée I, Bourrée II; Suite No. 4 - Bourrée II; Suite No. 5 - Gavotte I; Suite No. 6 - Gavotte I, Gavotte II