Bøger af Marlene Kadar

Broken Fiction is a collection of short autofictional stories and poems that both offer solace and depict anguish at the collision of memory, loss, and grief. This kind of story-making negotiates a recognition and acceptance of hard truths without resorting to easy resolution.The pieces in this volume are playful and fierce. The narrator's willingness to give attention to where love works or goes wrong, or to the moments when suffering cannot be veiled by a positive attitude--even as the comic or absurd overwhelms the tragic and humiliating--takes us to places that inhabit both memory and fiction. Photographs break the fiction and pull the reader into the inevitable forces of time and loss and death.Broken Fiction invites readers to consider a way through--and sometimes around--illness and love, pain and joy, and gives a droplet of hope in nature's comedy of errors and coincidence.

The essays in Tracing the Autobiographical work with the literatures of several nations to reveal the intersections of broad agendas (for example, national ones) with the personal, the private, and the individual. Attending to ethics, exile, tyranny, and hope, the contributors listen for echoes and murmurs as well as authoritative declarations. They also watch for the appearance of auto/biography in unexpected places, tracing patterns from materials that have been left behind. Many of the essays return to the question of text or traces of text, demonstrating that the language of autobiography, as well as the textualized identities of individual persons, can be traced in multiple media and sometimes unlikely documents, each of which requires close textual examination. These unlikely documents include a deportation list, an art exhibit, reality TV, Web sites and chat rooms, architectural spaces, and government memos, as well as the more familiar literary genres a play, the long poem, or the short story. Interdisciplinary in scope and contemporary in outlook, Tracing the Autobiographical is a welcome addition to autobiography scholarship, focusing on non-traditional genres and on the importance of location and place in life writing. Read the chapter Gender, Nation, and Self-Narration: Three Generations of Dayan Women in Palestine/Israel by Bina Freiwald on the Concordia University Library Spectrum Research Repository website.

What comes to mind when we hear that a friend or colleague is studying unpublished documents in a celebrated author's archive? We might assume that they are reading factual documents or, at the very least, straightforward accounts of the truth about someone or some event. But are they? Working in Women's Archives is a collection of essays that poses this question and offers a variety of answers. Any assumption readers may have about the archive as a neutral library space or about the archival document as a simple and pure text is challenged. In essays discussing celebrated Canadian authors such as Marian Engel and L.M. Montgomery, as well as lesser-known writers such as Constance Kerr Sissons and Marie Rose Smith, Working in Women's Archives persuades us that our research methods must be revised and refined in order to create a scholarly place for a greater variety of archival subjects and to accurately represent them in current feminist and poststructuralist theories.