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Literary Nonfiction. Poetry. Jewish Studies. Middle Eastern Studies. Women's Studies. Translated from the Hebrew by Ilana Brody. HAGGADAH means the telling. The escape from Egypt is the defining legend, the central drama of the Jews. Every nation coalesces around such an epic; its people project themselves into the story, aspire to the virtues of its heroes, and through periodic retelling or dramatization, transmit their values to the next generation. The traditional HAGGADAH offers a set of instructions for conducting the Passover service, interspersed with readings from the Bible, rabbinical commentaries, legends, prayers, hymns and children's songs. Written by men and addressing men, the traditional text has not historically offered much space for women to see themselves as fully involved in or spoken to by the powerful drama of human freedom articulated by the HAGGADAH. In HAGGADAH: A CELEBRATION OF FREEDOM, Martha Shelley brings a new vision to the traditional text.
"Martha Shelley didn't start out in life wanting to become a gay activist, or an activist of any kind. The daughter of Jewish refugees and undocumented immigrants in New York City, she grew up during the Red Scare of the late 1940s and 1950s, was inspired by the civil rights and anti-Vietnam War movements that followed, and struggled with coming out as a lesbian at a time when being gay made her a criminal. Shelley rose to become a public speaker for the New York chapter of the lesbian rights group the Daughters of Bilitis, organized the first gay march in response to the Stonewall Riots of 1969, and then cofounded the Gay Liberation Front. She coproduced the newspaper Come Out!, worked on the women's takeover of the RAT Subterranean News, and took a central role in the Lavender Menace action to confront homophobia in the women's movement. Martha Shelley's story is a feminist and lesbian document that gives context and adds necessary humanity to the historical record"--Dust jacket flap.
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