Bøger af Martin Shaw

Courting the Wild Twin is a book of literary activism-an antidote to the shallow thinking that typifies our age. It challenges us to wake up, to revive our 'condition of wondering' and examine our broken relationship with the world

"Through the Smoke Hole, we will find beauty in the wild. Through the Smoke Hole, we will escape the gaze of the Spyglass and find ourselves. Assailed by seductive promises and controlled by social media, we are losing our sense of direction. We are losing ourselves. We have networks, not communities. At a time when we are all confronted by not one, but many crossroads in our lives - identity, technology, trust, love, politics and global pandemic, celebrated mythologist and wilderness guide Martin Shaw delivers Smoke Hole: three metaphors for the modern world - a commons of imagination. Let us journey together, and these stories be your ally - hold them in your pocket, breathe deeper, feel steadier and become acquainted with rapture. Praise for Martin Shaw 'I can still remember the first time I heard Martin Shaw tell a story. The tale that emerged was like a living thing, bounding around, throwing itself at us there listening. I had never heard anything like it before.' - Paul Kingsnorth, Booker shortlisted author of The Wake 'Martin Shaw's work is so very beautiful. A new animal. His love of images is deep and contagious.' - Coleman Barks, author of The Essential Rumi 'Shaw has so much wisdom and knowledge about the old stories, it emanates from his pores.' - John Densmore, The Doors"--

Bardskull is the record of three journeys made by Martin Shaw, the celebrated storyteller and interpreter of myth, in the year before he turned fifty. It is unlike anything he has written before. This is not a book about myth or narrative: rather, it is a sequence of incantations, a series of battles. Each of the three journeys sees Shaw walk alone into a Dartmoor forest and wait. What arrive are stories - fragments of myth that he has carried within him for decades: the deep history of Dartmoor itself; the lives of distant family members; Arthurian legend; and tales from India, Persia, Lapland, the Caucasus and Siberia. But these stories and their tellers don't arrive as the bearers of solace or easy wisdom. As with all quests, Shaw is entering a domain of traps and tests. Bardskull can be read as a fable, as memoir, as auto-fiction or as an attempt to undomesticate myth. It is a magnificent, unclassifiable work of the imagination.

Dramatic new retellings of Celtic poetry's great lyrics and legendsCinderbiter collects tales and poems originally composed and performed centuries ago in Ireland, Scotland, and Wales, when notions of history and authorship were indistinguishable from the oral traditions of myth and storytelling. In the spirit of recasting these legends and voices for new audiences, celebrated mythologist and storyteller Martin Shaw and award-winning poet Tony Hoagland have created extraordinary new versions of these bardic lyrics, folkloric sagas, and heroes' journeys, as they have never been rendered before.In long, shaggy tales of the unlikely ascensions of previously unknown heroes such as Cinderbiter, in the shrouded origin stories of figures such as Arthur and Merlin, and in anonymous flickering lyrics of elegy, praise, and heartbreak, these poems retain at once the rapturous, supernatural imagination of the deep past layered with an austere, devout allegiance to the Christian faith. Shaw and Hoagland's collaboration summons the power within this storehouse of the Celtic mind to arrive at this rare book-distinctive, audacious, and tuned to our time and condition with a convincing resonance.

This fully revised edition of Martin Shaw s classic, award-winning text proposes a way through the intellectual confusion surrounding genocide. In a thorough account of the idea s history, Shaw considers its origins and development and its relationships to concepts like ethnic cleansing and politicide.

The central aim of this book is to analyse whether [or not] the global constitutes a fundamental challenge to the social-scientific study of politics, including the structure of disciplines and the division of labour between them.

* Develops a major new theory of modern warfare, based around the idea that risks in modern war are placed on civilians rather than the military. * Written by a leading sociologist of war, the book includes analyses of recent conflicts such as the two Iraq wars, Vietnam, Afghanistan, Kosovo and the Falklands.

This ambitious book, first published in 2000, rewrites the terms of debate about globalization. Martin Shaw offers a fundamental critique of modern social thought and global theory. Required reading for sociology, politics and international relations, the book gives a historical, theoretical and political framework for understanding state and society in the emerging global age.

This comprehensive introduction to the study of war and genocide presents a disturbing case that the potential for slaughter is deeply rooted in the political, economic, social and ideological relations of the modern world. Most accounts of war and genocide treat them as separate phenomena.

Genocide and International Relations lays the foundations for a new perspective on genocide in the modern world. Genocide studies have been influenced, negatively as well as positively, by the political and cultural context in which the field has developed. In particular, a narrow vision of comparative studies has been influential in which genocide is viewed mainly as a 'domestic' phenomenon of states. This book emphasizes the international context of genocide, seeking to specify more precisely the relationships between genocide and the international system. Shaw aims to re-interpret the classical European context of genocide in this frame, to provide a comprehensive international perspective on Cold War and post-Cold War genocide, and to re-evaluate the key transitions of the end of the Second World War and the end of the Cold War.

I'm inviting you to join me on a pilgrimage I'll be making with a friend of mine! This pilgrimage will be of the imagination, of the heart. I suppose in truth, it's a fictitious pilgrimage. My friend is none other than St Francis of Assisi. For me, the imagination's a vital and an exciting tool for reliving something of a saint's life. So I'll be, as it were, 'walking and talking' with you, through these pages, about the story of the pilgrimage which'll take who knows how long. At each stage, I'll have my own personal reflections and I'll be addressing you personally in the hope to make some connection with where you might be. The story of the pilgrimage, apart from walking, is mostly about ordinary experiences: eating, resting, talking, getting irritated, being bored, embarrassed, delighted: and any other mood you care to add. I'll be picturing Francis, my friend and I hope yours also, carrying a copy of St Matthew's Gospel in his pocket, as I will myself. Maybe you'll do the same.ABOUT THE AUTHORMartin Shaw, prior to being consecrated Bishop of Argyll and The Isles in June 2004 at St John's Cathedral in Oban, was Chaplain and acting Dean of King's College Cambridge, working as a priest in Glasgow, Edinburgh, Dunoon and London. As Canon Precentor at St Edmundsbury Cathedral, he was responsible for Liturgy and Music. Since 1972 he has been a member of the Third Order of St Francis and has a particular interest in Franciscan spirituality and pilgrimage. Through his singing and writing poetry, Martin Shaw has a keen involvement in art as an important approach to Christian spirituality. Since 2010 he has been an honorary assistant bishop in the Diocese of Exeter.

In "Scatterlings," Martin Shaw walks the myth-lines of seven stories based in and around his homeland of Dartmoor, England.