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Sheds new light on pre-modern Chinese gender relationships in the context of marriage, male Confucian literati self-presentation, and social networks.
In this new study of desire in Late Imperial China, Martin Huang argues that the development of traditional Chinese fiction as a narrative genre was closely related to changes in conceptions of the fundamental nature of desire.
This study of the Chinese novel in the eighteenth century focuses on the autobiographical features of three important works: The Dream of the Red Chamber, or The Story of the Stone (Honglou meng), The Scholars (Rulin waishi), and the relatively neglected The Humble Words of an Old Rustic (Yesou puyan).
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