Bøger af Mary D. Garrard

Artemisia Gentileschi, widely regarded as important woman artist before the modern period, was a major Italian Baroque painter of the seventeenth century and the only female follower of Caravaggio. This work shows that her original treatments of mythic-heroic female subjects depart radically from traditional interpretations of the same themes.

Dangerous Women presents works from the rich holdings of the John and Mable Ringling Museum of Art that explore different artists' responses to the women of the Bible.

Feminist historians of science and philosophy have shown that during the Italian Renaissance, the profound shift in the concept of nature - from an organic worldview to the scientific - was assisted by the gender metaphor that defined nature as female. This book proposes that the larger shift was both anticipated and mediated by the visual arts.

Taking as case studies two paintings of circa 1621-22 attributed to Artemisia, this text examines the ways that identity, gender and market pressures interact both in the artist's work and in the criticism and conoisseurship that have surrounded it.