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In this extraordinary reconstruction of the origins of the blues, historian Marybeth Hamilton demonstrates that the story as we know it is largely a myth. Following the trail of characters like Howard Odum, who combed Mississippi's back roads with a cylinder phonograph to record vagrants, John and Alan Lomax, who prowled Southern penitentiaries and unearthed the rough, melancholy vocals of Leadbelly, and James McKune, a recluse whose record collection came to define the primal sounds of the Delta blues, Hamilton reveals this musical form to be the culmination of a longstanding white fascination with the exotic mysteries of black music.
In a world of trend-setting film icons, few are more familiar than Mae West. Yet for all her public controversy, West is also a mystery. Marybeth Hamilton combines elements of biography, cultural analysis, and social history to unmask West and reveal her commercial savvy, willpower, and truly shocking theatrical transgressions.
Everyone knows the story of the Delta blues, with its fierce, raw voices and tormented drifters and deals with the devil at the crossroads at midnight. This book rewrites that story.
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