Bøger af Matthew A Stanley

How can we envision our finitude as a starting point for reflection, rather than as a prison to be escaped? This collection asks that question with renewed force through a dialogue with Christian theology, Japanese waka poetry, Mahayana Buddhism, and the philosophy of Martin Heidegger. This accessible text brings multiple theoretical and artistic voices together in a way that's rarely seen, including concepts from both past thinkers and the author's own poetry.Inside this work you'll find an essay on the adventure of finitude, drawing on both Heidegger and Dōgen to sketch the dynamic form of finitude and its inextricable relationship with death. Then the text presents the reader with an in-depth essay exploring the life and poetry of the 11th century poet-monk Saigyo. As one of the great waka masters, Saigyo's work confronts us with the rising and passing away of phenomena as he struggles to find his home amidst the change. Finally, this collection includes a number of original waka poems, as well as selected interpretations of some of the poems which help to demonstrate the contemporary power of the waka form for wrestling with questions of finitude and change.

Christianity arrived on the Japanese island of Kyushu in 1549. The century that followed would prove to be a turning point in the history of the Japanese people -- Oda Nobunaga and his successors would finally unite the warring clans of Japan under a single military government which would last until the Meiji Restoration in 1868. What ideological labor and social violence was necessary to bring about such an enduring peace and lasting political change? What can we learn from this complex history so that we can live as free people in our contemporary moment? Shusaku Endo sets his novel Silence in precisely that moment near the end of this pivotal century, at a time when Christianity has been scapegoated by the regime and ruthlessly persecuted. This book explores the key historical, ideological, and religious conflicts which run through Endo's challenging novel. The reader will learn about the surprisingly diverse origin of the Japanese people, the changes that Japanese society underwent under the Tokugawa regime, the violent peasant revolt called the Shimabara Rebellion, the history of Japanese Buddhism and its complicity with the state, and much more. However, this book also carries a burden to explore these problems in light of the immense freedom which stands at the heart of the message of Jesus Christ. How can be move from ideological selves to free subjects, able to intervene in our circumstances by aligning ourselves with the contradictions which the self and ideology would cover over? As God became the lowest in Jesus Christ, such that no one could be lower than Him, how does this shape our understanding of the characters and decisions in Endo's novel, and even more importantly, how we should live today? Ultimately, this text operates on three primary levels -- (1) a historical and theoretical supplement to Shusaku Endo's novel Silence, (2) a philosophical investigation into universality, subjectivity, and freedom, and (3) an intervention in theological discourses about both leftist liberation and Christian Nationalism. Concepts which come under critique and analysis in this text include Japanese Buddhism, Western Buddhism, nationalism, self/ego, liberation theology, Christian Nationalism, signs, meaning, materiality, ideology, cynicism, modernity, dialectics, freedom, subjectivity, universality, compassion, particularity, capitalism, and bio-politics. Chapters: Introduction1. The Missing Prologue2. The birth of Tokugawa Nationalism3. The politics of Japanese Buddhism4. Compassion, the inquisitor's weapon5. A Theology of Freedom6. Rodriguez chooses Western BuddhismConclusion