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  • af Matthew Albert Bayfield
    176,95 - 292,95 kr.

    This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

  • af Matthew Albert Bayfield
    659,95 kr.

    The Reverend Matthew Albert Bayfield (1852-1922) published this study at the end of his life after a long career as classical scholar, editor of Greek tragedies and headmaster of several public schools. He gives an account of the structure and characteristic features of Shakespeare's dramatic verse and argues that it has been fundamentally misunderstood by other scholars. In particular, he analyses the use of contractions or abbreviations found in the Folio and Quartos and continued in the editions of his own time. He weighs up which of the contractions familiar from many editions were actually Shakespeare's, and what that reveals about how Shakespeare might have intended his prose and verse to be spoken. Bayfield's many appendices evaluating the metre of specific lines and his detailed linguistic analysis remain thought-provoking for modern editors and scholars of Shakespeare.

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