Bøger af Matthew Rampley

Some of the most striking examples of modernist architecture are churches, yet they have seldom been subject to extended critical analysis. In this book, Matthew Rampley provides just such an analysis, focusing on the Catholic church in interwar Austria, Czechoslovakia, and Hungary. A powerful institution in the Habsburg Empire, the Catholic Church continued to be a central social, political, and cultural agent after 1918, working in alliance with political parties and national governments to promote visions of a new national culture. As a result, church building took on an important ideological and political function. Rampley's study is set against the backdrop of two interrelated issues: the role of architecture in the Catholic Church's response to an increasingly secular modernity, and church architecture as part of the Church's attempts to shape social and political life in the states that emerged after the collapse of Austria-Hungary. Rampley also examines the aesthetic, cultural, and political contexts that informed architectural projects, including the conflict between Catholicism and social democracy, the embrace of fascism, Catholic theories of technology, and discourses of regionalism and ruralism. In bringing to light an untold chapter in the history of modern architecture, this book also engages in methodological reflection on the implications of the study of modern church architecture for the historiography of modernism. This book will appeal to students and scholars of architectural history, religious and political history, and interwar Central European history.

Essays looking at heritage practices and the construction of the past, along with how they can be used to build a national identity.The preservation of architectural monuments has played a key role in the formation of national identities from the nineteenth century to the present. The task of maintaining the collective memories and ideas of a shared heritage often focused on the historic built environment as the most visible sign of a link with the past. The meaning of such monuments and sites has, however, often been the subject of keen dispute: whose heritage is being commemorated, by whom and for whom? The answers to such questions are not always straightforward, particularly in Central and Eastern Europe, the recent history of which has been characterized by territorial disputes, the large-scale movement of peoples, and cultural dispossession. This volume considers the dilemmas presented by the recent and complex histories of European states such as Germany, Greece, Poland, Hungary, Romania and Bulgaria. Examining the effect ofthe destruction of buildings by war, the loss of territories, or the "e;unwanted"e; built heritage of the Communist and Nazi regimes, the contributors examine how architectural and urban sites have been created, destroyed, or transformed, in the attempt to make visible a national heritage. Matthew Rampley is Professor of History of Art at the University of Birmingham. Contributors: Matthew Rampley, Juliet Kinchin, Paul Stirton, SusanneJaeger, Arnold Bartetzky, Jacek Friedrich, Tania Vladova, George Karatzas, Riitta Oittinen

Analyzes the emergence and development of art history as a discipline in Austria-Hungary. Focuses on the ways in which ideas about art and its history became intertwined with political and social identity, and on the cultural politics that shaped the final years of the Habsburg Empire.