Bøger af Max Brand

He made one mistake in the beginning. He pushed the chestnut too hard the first and second days, so that on the third day he was forced to give the gelding his head and go at a jarring trot most of the day. On the fourth and fifth days, however, he had the reward for his caution. The chestnut's ribs were beginning to show painfully, but he kept doggedly at his work with no sign of faltering. The sixth day brought Andrew Lanning in close view of the lower hills. And on the seventh day he put his fortune boldly to the touch and jogged into the first little town before him.

Bull sighed. "I ain't got much time, partner," he said. Approaching the door, he examined it wistfully. "But, maybe, they's another way." He drew back a little, raised his right leg, and smashed the heavy cowhide boot against the door. The wood split from top to bottom, and Bull's leg was driven on through the aperture. He paused to wrench the fragments of the door from lock and hinges and then beckoned to Pete Reeve. "Look for your gun in here, Reeve."

A classic western from one of the masters of the genre.

The Rangeland Avenger is a classic western novel by Max Brand. The story follows the adventures of Jim Meeker, a cowboy who is falsely accused of stealing cattle from his own ranch. After being wrongly convicted and sentenced to prison, Jim manages to escape and becomes a vigilante, seeking revenge against those who framed him. Along the way, he meets a variety of characters, including a beautiful woman named Helen and a notorious outlaw named Red Pierre. Together, they navigate the dangers of the western frontier, facing off against rustlers, bandits, and corrupt lawmen. The Rangeland Avenger is a thrilling tale of justice and redemption, filled with action, suspense, and unforgettable characters.""And maybe I ain't."" Sinclair brushed the entire argument away into a thin mist of smoke. ""Now, look here, Cold Feet, I'm about to go to sleep, and when I sleep, I sure sleep sound, taking it by and large. They's times when I don't more'n close one eye all night, and they's times when you'd have to pull my eyes open, one by one, to wake me up. Understand? I'm going to sleep the second way tonight. About eight hours of the soundest sleep you ever heard tell of.""This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frederick Schiller Faust (May 29, 1892 - May 12, 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. Faust (as Max Brand) also created the popular fictional character of young medical intern Dr. James Kildare in a series of pulp fiction stories. Faust's Kildare character was subsequently featured over several decades in other media, including a series of American theatrical films by Paramount Pictures and Metro-Goldwyn-Mayer (MGM), a radio series, [3] two television series, [4][5] and comics.Faust's other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, Peter Ward and Frederick Fros

Harrigan is a novel written by Max Brand. The book is set in the Wild West, and it follows the story of a man named Harrigan, who is a notorious outlaw. Harrigan is known for his quick draw and his ability to outsmart his enemies. However, despite his reputation, he is not a heartless criminal. Harrigan has a strong sense of justice and is often willing to help those in need. The story begins with Harrigan being released from prison after serving time for a crime he did not commit. He returns to his hometown, where he discovers that his reputation as an outlaw has made him an outcast. Despite this, Harrigan decides to stay and try to rebuild his life. As he tries to start over, Harrigan becomes involved in a conflict between two rival gangs. He also meets a woman named Lucy who he falls in love with. However, Lucy is already engaged to another man, and Harrigan finds himself in a love triangle. Throughout the book, Harrigan must navigate his way through dangerous situations while also trying to win over Lucy's heart. The novel is full of action, romance, and suspense, and it provides an exciting glimpse into life in the Wild West.With gusts of wind fanning it roughly, the flame rose fast. Harrigan made other journeys to the rotten stump and wrenched away great chunks of bark and wood. He came back and piled them on the fire. It towered high, the upper tongues twisting among the branches of the tree. They laid Kate Malone between the windbreak and the fire. In a short time her trembling ceased; she turned her face to the blaze and slept.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frederick Schiller Faust (May 29, 1892 - May 12, 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. Faust (as Max Brand) also created the popular fictional character of young medical intern Dr. James Kildare in a series of pulp fiction stories. Faust's Kildare character was subsequently featured over several decades in other media, including a series of American theatrical films by Paramount Pictures and Metro-Goldwyn-Mayer (MGM), a radio series, [3] two television series, and comics.Faust's other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, Peter Ward and Frederick Frost

The moment he rose out of the chair and faced them, Gainor had stopped short. He was quite capable of fast thinking, and now his glance flickered from Terry to the sheriff and back again. It was plain that he had shrewd suspicions as to the purpose behind that call. The sheriff was merely confused. He flushed as much as his tanned-leather skin permitted. As for Terry, the moment his glance fell on the sheriff he felt his muscles jump into hard ridges, and an almost uncontrollable desire to go at the throat of the other seized him. He quelled that desire and fought it back with a chill of fear.

For the first moment Donnegan was not sure; it was not until there was a slight faltering in the deal--an infinitely small hesitation which only a practiced eye like that of Donnegan's could have noticed--that he was sure. The winner was crooked. Yet the hand was interesting for all that. He had done the master trick, not only giving himself the winning hand but also giving each of the others a fine set of cards.

Part Western, part Mythology, this book is sequel to The Untamed: the second book in the Dan Barry series. ........... Frederick Schiller Faust (May 29, 1892 - May 12, 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. Faust (as Max Brand) also created the popular fictional character of young medical intern Dr. James Kildare in a series of pulp fiction stories. Faust's Kildare character was subsequently featured over several decades in other media, including a series of American theatrical films by Paramount Pictures and Metro-Goldwyn-Mayer (MGM), a radio series, two television series, and comics. Faust's other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, Peter Ward and Frederick Frost. Biography: Faust was born in Seattle to Gilbert Leander Faust and Louisa Elizabeth (Uriel) Faust, both of whom died when Faust was still a boy. He grew up in central California, and later worked as a cowhand on one of the many ranches of the San Joaquin Valley. Faust attended the University of California, Berkeley, where he began to write for student publications, poetry magazines, and newspapers. Failing to graduate, Faust joined the Canadian Army in 1915, but deserted the next year and moved to New York City. During the 1910s, Faust sold stories to the pulp magazines of Frank Munsey, including All-Story Weekly and Argosy Magazine. When the United States entered World War I in 1917, Faust tried to enlist but was rejected. He married Dorothy Schillig in 1917, and the couple had three children.In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith's Western Story Magazine, a weekly for which he would write over a million words a year under various pen names, often seeing two serials and a short novel published in a single issue. In 1921, he suffered a severe heart attack, and for the rest of his life suffered from chronic heart disease. His love for mythology was a constant source of inspiration for his fiction, and it has been speculated that these classical influences accounted in some part for his success as a popular writer. Many of his stories would later inspire films. He created the Western character Destry, featured in several cinematic versions of Destry Rides Again, and his character Dr. Kildare was adapted to motion pictures, radio, television, and comic books. In 1934 Faust began to write for upscale, slick magazines, often writing from a villa in Italy. In 1938, due to political events in Europe, he returned with his family to the United States and settled in Hollywood where he worked as a screenwriter for a number of film studios. At one point, Warner Brothers paid him $3,000 a week (a year's salary for an average worker at the time), and he made a fortune from MGM's Dr. Kildare adaptations. Faust became one of the highest paid writers of his day. Ironically, Faust disparaged his commercial success and used his real name only for the poetry that he regarded as his literary calling....

Frederick Schiller Faust (May 29, 1892 - May 12, 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. Faust (as Max Brand) also created the popular fictional character of young medical intern Dr. James Kildare in a series of pulp fiction stories. Faust's Kildare character was subsequently featured over several decades in other media, including a series of American theatrical films by Paramount Pictures and Metro-Goldwyn-Mayer (MGM), a radio series, two television series, and comics. Faust's other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, Peter Ward and Frederick Frost. Biography: Faust was born in Seattle to Gilbert Leander Faust and Louisa Elizabeth (Uriel) Faust, both of whom died when Faust was still a boy. He grew up in central California, and later worked as a cowhand on one of the many ranches of the San Joaquin Valley. Faust attended the University of California, Berkeley, where he began to write for student publications, poetry magazines, and newspapers. Failing to graduate, Faust joined the Canadian Army in 1915, but deserted the next year and moved to New York City. During the 1910s, Faust sold stories to the pulp magazines of Frank Munsey, including All-Story Weekly and Argosy Magazine. When the United States entered World War I in 1917, Faust tried to enlist but was rejected. He married Dorothy Schillig in 1917, and the couple had three children.In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith's Western Story Magazine, a weekly for which he would write over a million words a year under various pen names, often seeing two serials and a short novel published in a single issue. In 1921, he suffered a severe heart attack, and for the rest of his life suffered from chronic heart disease. His love for mythology was a constant source of inspiration for his fiction, and it has been speculated that these classical influences accounted in some part for his success as a popular writer. Many of his stories would later inspire films. He created the Western character Destry, featured in several cinematic versions of Destry Rides Again, and his character Dr. Kildare was adapted to motion pictures, radio, television, and comic books. In 1934 Faust began to write for upscale, slick magazines, often writing from a villa in Italy. In 1938, due to political events in Europe, he returned with his family to the United States and settled in Hollywood where he worked as a screenwriter for a number of film studios. At one point, Warner Brothers paid him $3,000 a week (a year's salary for an average worker at the time), and he made a fortune from MGM's Dr. Kildare adaptations. Faust became one of the highest paid writers of his day. Ironically, Faust disparaged his commercial success and used his real name only for the poetry that he regarded as his literary calling. In 1943, author Frank Gruber met Faust and wrote about him in his book The Pulp Jungle (1967). Faust he said was six feet three inches tall and weighed about 200 lbs (of which there was not an ounce of fat) and had enormous hands. He was shy and somewhat aloof. He liked to be called "Heinie" by friends and he was an alcoholic. Amongst other drinks, he put away two quarts of whiskey during an eight-hour day. When he went home at five thirty, he had a light supper then got down to "some serious drinking". Faust maintained that the alcohol transported him away to a fantasy world where he could write. He was never "drunk" and was open about his drinkingFaust had trained himself to write exactly 14 pages of work a day, every day. ...

"The Seventh Man's Horse" is a western novel by Max Brand. The story follows the adventures of Dan Barry, a wild and unpredictable young man who is feared and respected by all who know him. Dan Barry is known for his exceptional horse-riding skills and his ability to train even the wildest of horses. When a group of outlaws steal his prized horse, the Seventh Man's Horse, Dan sets out to track them down and get his horse back. Along the way, Dan meets a young woman named Joan, who is in danger from the same group of outlaws. Dan is torn between his love for Joan and his desire to get his horse back, and he must navigate a treacherous landscape filled with danger and betrayal. As the story unfolds, Dan's character is tested in ways he never could have imagined, and he must confront his own demons and face the consequences of his actions. The novel is a classic western tale, full of action, adventure, and romance, and Max Brand's vivid descriptions of the Wild West and its inhabitants bring the story to life. Overall, "The Seventh Man's Horse" is a thrilling and entertaining novel that will appeal to fans of westerns and anyone who enjoys a good adventure story.

Dan Barry Trilogy By Max Brand The Untamed The Night Horseman The Seventh Man

Riders of the Silences & Crossroads By Max Brand

"Western manners," she said, "mean first not to doubt a man till he tries to double-cross you, and not to trust him till he saves your life; to keep your gun inside the leather till you're backed up against the wall, and then to start shootin' as soon as the muzzle is past the holster. Then the thing to remember is that the fast shootin' is fine, but sure shootin' is a lot better. D'you get me?"

"Partner," said Ronicky Doone, "if they are trying to keep her away from us they sure have the sense to keep her under cover for as long as two days. Ain't that right? It looks pretty bad for us, but I'm staying here for one solid week, anyway. It's just about our last chance, Bill. We've done our hunting pretty near as well as we could. If we don't land her this trip, I'm about ready to give up."

The Great West prior to the century's turn abounded in legend. Stories were told of fabled gunmen whose bullets always magically found their mark of mighty stallions whose tireless gallop rivaled the speed of the wind of glorious women whose beauty stunned mind and heart. But nowhere in the vast spread of the mountain-desert country was there a greater legend told than the story of Red Pierre and the phantom gunfighter McGurk.

By careful tailoring the broad shoulders of Ben Connor were made to appear fashionably slender, and he disguised the depth of his chest by a stoop whose model slouched along Broadway somewhere between sunset and dawn. He wore, moreover, the first or second pair of spats that had ever stepped off the train at Lukin Junction, a glowing Scotch tweed, and a Panama hat of the color and weave of fine old linen. There was a skeleton at this Feast of Fashion, however, for only tight gloves could make the stubby fingers and broad palms of Connor presentable. At ninety-five in the shade gloves were out of the question, so he held a pair of yellow chamois in one hand and in the other an amber-headed cane. This was the end of the little spur-line, and while the train backed off down the track, staggering across the switch, Ben Connor looked after it, leaning upon his cane just forcibly enough to feel the flection of the wood. This was one of his attitudes of elegance, and when the train was out of sight, and only the puffs of white vapor rolled around the shoulder of the hill, he turned to look the town over, having already given Lukin Junction ample time to look over Ben Connor.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

Frederick Schiller Faust (1892 - 1944) was an American author known primarily for his thoughtful and literary Westerns under the pen name Max Brand. His other pseudonyms include George Owen Baxter, Evan Evans, George Evans, David Manning, John Frederick, Peter Morland, George Challis, and Frederick Frost. In the 1920s, Faust wrote extensively for pulp magazines, especially Street & Smith's Western Story Magazine, a weekly for which he would write over a million words a year under various pen names, often seeing two serials and a short novel published in a single issue. In this book: Way of the Lawless Black Jack Bull Hunter Donnegan - Gunman's Reckoning The Long, Long Trail The Garden of Eden

The fifty empty freights danced and rolled and rattled on the rough road bed and filled Jericho Pass with thunder; the big engine was laboring and grunting at the grade, but five cars back the noise of the locomotive was lost. Yet there is a way to talk above the noise of a freight train just as there is a way to whistle into the teeth of a stiff wind. This freight-car talk is pitched just above the ordinary tone-it is an overtone of conversation, one might say-and it is distinctly nasal. The brakie could talk above the racket, and so, of course, could Lefty Joe. They sat about in the center of the train, on the forward end of one of the cars. No matter how the train lurched and staggered over that fearful road bed, these two swayed in their places as easily and as safely as birds on swinging perches. The brakie had touched Lefty Joe for two dollars; he had secured fifty cents; and since the vigor of Lefty's oaths had convinced him that this was all the money the tramp had, the two now sat elbow to elbow and killed the distance with their talk. "It's like old times to have you here," said the brakie. "You used to play this line when you jumped from coast to coast."