Bøger af Max Ernst

In the course of browsing an illustrated book of objects--umbrellas, watches, tools, clothes--artist Max Ernst was struck by the items' unusual juxtapositions. By manipulating the Victorian-era engravings into striking tableaux and adding brief captions, Ernst invented the collage novel and transformed banal advertising art into revealing dramas rooted in his dreams and secret desires. A Little Girl Dreams of Taking the Veil was originally published in 1930 as Rêve d'une petite fille qui voulut entrer au Carmel. Its hallucinatory visions center on the nightmares of a girl who loses her virginity on the day of her first communion and resolves to become a nun. Ernst, a pioneer of the Dada movement and Surrealistic art, blends humor and irony in his exploration of the nonrational but very real intersection of religious ecstasy and erotic desire. A century after its debut, this profoundly peculiar book retains its shock value as well as its imaginative power.www.doverpublications.com

"One of the clandestine classics of our century."--The New York TimesThis is the legendary collage masterpieces of Max Ernst (b. 1891), one of the leading figures of the surrealistic movement and among the most original artists of the 20th century. From old catalog and pulp novel illustrations, Ernst produced this series of 182 bizarre and darkly humorous collage scenes of classic dreams and erotic fantasies which seem mysteriously to lure the unconscious into view: Stern, proper-looking women sprout giant sets of wings, serpents appear in the drawing -room and bed chamber, a baron has the head of a lion, a parlor floor turns to water on which some people can apparently walk while others drown.Une Semaine De Bonté is divided into seven parts, one for each day of the week, with each section illustrating one of Ernst's "seven deadly elements." "Oedipus," "The Court of the Dragon," and "Three Visible Poems" are among the startling episodes of Ernst's week. The Dada and surrealist epigraphs which introduce each section appear in this edition in both French and English.Une Semaine De Bonté first appeared in 1934 in a series of five pamphlets of fewer than 1,000 copies each, and has never been reprinted before this present edition. Previously available only to a few libraries and collectors, this is a major source and great treat for anyone interested in the surrealists and their work, in collage, visual illusion, dream visions, and the interpretations of dreams.

Alongside Salvador Dalí and André Breton, Max Ernst (1891-1976) remains one of the most famous names to be associated with Surrealism, and must now be regarded as one of the most original, prolific and best-known artists of the 20th century. Assembled in 1947, when Ernst had attained the height of his artistic powers, BEYOND PAINTING is a definitive autobiographical document of the painter and the creative processes behind his work, enhanced by testaments by many of his friends including fellow Surrealists André Breton, Paul Éluard, Roberto Matta and Hans Arp, as well as others such as New York art dealer Julien Levy. BEYOND PAINTING also contains Ernst's revolutionary experiment in collage, The Lion of Belfort, as well as a preface by New York artist Robert Motherwell and a chronology of Ernst's life written by the artist himself.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book. ++++ The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to ensure edition identification: ++++ Rechtshistorische BegrUndung Der Mora Max Ernst Bern., 1882