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"A book of the utmost importance", in the words of Lenin, and a landmark in Russian literature, The Mother - here presented in a brilliant new version by Hugh Aplin, the first English translation in almost a century - will enchant modern readers both for its historical significance and its intrinsic value as a work of art.
Immerse yourself in Tsarist Russia through the eyes of a wandering soul.Maxim Gorky's "Through Russia" is a captivating tapestry of short stories woven from the fabric of early 20th century Russia. Join an unnamed traveler as they traverse vast landscapes, their journey mirroring the stark contrasts of the era. Breathtaking descriptions of nature's grandeur collide with the harsh realities of life at the bottom of society.Each encounter pulsates with philosophy and raw emotion, offering glimpses into unforgettable characters with diverse perspectives on faith, poverty, and the human condition. Gorky's masterful prose paints vivid portraits of outcasts, dreamers, and the disillusioned, revealing the complexities of a nation on the cusp of change."Through Russia" resonates with timeless themes of resilience, hope, and the enduring human spirit. This English translation captures the essence of Gorky's evocative language. For those seeking a raw and intimate portrait of a bygone era, "Through Russia" offers a journey into the heart of a nation grappling with its own soul.
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. There were twenty-six of us-twenty-six living machines, locked up in a damp cellar, where we patted dough from morning till night, making biscuits and cakes. The windows of our cellar looked out into a ditch, which was covered with bricks grown green from dampness, the window frames were obstructed from the outside by a dense iron netting, and the light of the sun could not peep in through the panes, which were covered with flour-dust. Our proprietor stopped up our windows with iron that we might not give his bread to the poor or to those of our companions who, being out of work, were starving; our proprietor called us cheats and gave us for our dinner tainted garbage instead of meat. It was stifling and narrow in our box of stone under the low, heavy ceiling, covered with smoke-black and spider-webs. It was close and disgusting within the thick walls, which were spattered with stains of mud and mustiness. . . . We rose at five o'clock in the morning, without having had enough sleep, and, dull and indifferent, we seated ourselves by the table at six to make biscuits out of the dough, which had been prepared for us by our companions while we were asleep. And all day long, from morning till ten o'clock at night, some of us sat by the table rolling out the elastic dough with our hands, and shaking ourselves that we might not grow stiff, while the others kneaded the dough with water. And the boiling water in the kettle, where the cracknels were being boiled, was purring sadly and thoughtfully all day long; the baker's shovel was scraping quickly and angrily against the oven, throwing off on the hot bricks the slippery pieces of dough. On one side of the oven, wood was burning from morning till night, and the red reflection of the flame was trembling on the wall of the workshop as though it were silently mocking us.
Alexei Maximovich Peshkov 28 March [O.S. 16 March] 1868 - 18 June 1936), primarily known as Maxim, was a Russian and Soviet writer, a founder of the socialist realism literary method and a political activist. He was also a five-time nominee for the Nobel Prize in Literature. Around fifteen years before success as a writer, he frequently changed jobs and roamed across the Russian Empire; these experiences would later influence his writing. Gorky's most famous works were The Lower Depths (1902), Twenty-six Men and a Girl, The Song of the Stormy Petrel, My Childhood, The Mother, Summerfolk and Children of the Sun. He had an association with fellow Russian writers Leo Tolstoy and Anton Chekhov; Gorky would later mention them in his memoirs. Gorky was active with the emerging Marxist social-democratic movement. He publicly opposed the Tsarist regime, and for a time closely associated himself with Vladimir Lenin and Alexander Bogdanov's Bolshevik wing of the party. For a significant part of his life, he was exiled from Russia and later the Soviet Union. In 1932, he returned to USSR on Joseph Stalin's personal invitation and died there in June 1936.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
OUT of the darkest depths of life, where vice and crime and misery abound, comes the Byron of the twentieth century, the poet of the vagabond and the proletariat, Maxim Gorky. Not like the beggar, humbly imploring for a crust in the name of the Lord, nor like the jeweller displaying his precious stones to dazzle and tempt the eye, he comes to the world, -nay, in accents of Tyrtaeus this commoner of Nizhni Novgorod spurs on his troops of freedom-loving heroes to conquer, as it were, the placid, self-satisfied literatures of to-day, and bring new life to pale, bloodless frames
It is an 1899 novel by Maxim Gorky. His hero an atypical figure in the context of Russian merchant community. "It is supposed to present the broad and true picture of the contemporary life, while featuring the figure of an energetic, healthy man, craving for space to realize his power's potential. He feels restricted. Life smothers him. He realizes that there is no place for heroes in it, they apt to being defeated by small things, like Hercules, the conqueror of hydras, crashed by hordes of mosquitoes," he wrote in a February 1898 letter to the publisher S. Dorovatsky.
A collection of short fiction by one of the most eminent Russian author, Maxim Gorky. Born as Alexei Maximovich Peshkov, this great man was a Russian writer and political activist. He was nominated five times for the Nobel Prize in Literature. Gorky's most famous works are his early short stories, written in the 1890s; plays The Philistines (1901), The Lower Depths (1902) and Children of the Sun (1905); a poem, "The Song of the Stormy Petrel" (1901); his autobiographical trilogy, My Childhood, In the World, My Universities (1913-1923); and a novel, Mother (1906); and post-revolutionary works such as the novels The Artamonov Business (1925) and The Life of Klim Samgin (1925-1936), the latter is considered Gorky's masterpiece and has sometimes been viewed by critics as a modernist work. He had associations with fellow Russian writers Leo Tolstoy and Anton Chekhov, both mentioned by Gorky in his memoirs.
Mother is a novel written by Maxim Gorky in 1906 about revolutionary factory workers. Gorky portrays the life of a woman who works in a Russian factory doing hard manual labour and combating poverty and hunger, among other hardships. Pelageya Nilovna Vlasova is the real protagonist; her husband, a heavy drunkard, physically assaults her and leaves all the responsibility for raising their son, Pavel Vlasov, to her, but unexpectedly dies. Pavel noticeably begins to emulate his father in his drunkenness and stammer, but suddenly becomes involved in revolutionary activities. Abandoning drinking, Pavel starts to bring books to his home. Being illiterate and having no political interest, Nilovna is at first cautious about Pavel's new activities. However, she wants to help him. Pavel is shown as the main revolutionary character. Nevertheless Nilovna, moved by her maternal feelings and, though uneducated, overcoming her political ignorance to become involved in revolution, is considered the true protagonist of the novel.Alexei Maximovich Peshkov, popularly known as Maxim Gorky, was a Russian writer and political activist. He was nominated five times for the Nobel Prize in Literature. Gorky's most famous works are his early short stories, written in the 1890s; plays The Philistines (1901), The Lower Depths (1902) and Children of the Sun (1905); a poem, ""The Song of the Stormy Petrel"" (1901); his autobiographical trilogy, My Childhood, In the World, My Universities (1913-1923); and a novel, Mother (1906); and post-revolutionary works such as the novels The Artamonov Business (1925) and The Life of Klim Samgin (1925-1936), the latter is considered Gorky's masterpiece and has sometimes been viewed by critics as a modernist work. He had associations with fellow Russian writers Leo Tolstoy and Anton Chekhov, both mentioned by Gorky in his memoirs.
A collection of short stories by one of the most eminent Russian author, Maxim Gorky. Born as Alexei Maximovich Peshkov, this great man was a Russian writer and political activist. He was nominated five times for the Nobel Prize in Literature. Gorky's most famous works are his early short stories, written in the 1890s; plays The Philistines (1901), The Lower Depths (1902) and Children of the Sun (1905); a poem, "The Song of the Stormy Petrel" (1901); his autobiographical trilogy, My Childhood, In the World, My Universities (1913-1923); and a novel, Mother (1906); and post-revolutionary works such as the novels The Artamonov Business (1925) and The Life of Klim Samgin (1925-1936), the latter is considered Gorky's masterpiece and has sometimes been viewed by critics as a modernist work. He had associations with fellow Russian writers Leo Tolstoy and Anton Chekhov, both mentioned by Gorky in his memoirs.
A Confession is a 1908 short novel by Maxim Gorky. About a pilgrim, the novel highlights the ""God-building"" movement that arose in the Russian Empire in the late 19th century. The Confession expresses Gorky's belief in humanity when strong individuals are connected to each other. It also reflects Gorky's disgust with injustice, hypocrisy, and conditions that degrade human dignity, and his faith in human potential. Gorky says, ""I am an atheist. In A Confession the idea was to show the means by which man could progress from individualism to the collectivist understanding of the world. The main character sees 'God-building' as an attempt to reconstruct social life according to the spirit of collectivism, the spirit of uniting the people on their way to one common goal: liberating man from slavery, within and without.""Alexei Maximovich Peshkov, popularly known as Maxim Gorky, was a Russian writer and political activist. He was nominated five times for the Nobel Prize in Literature. Gorky's most famous works are his early short stories, written in the 1890s; plays The Philistines (1901), The Lower Depths (1902) and Children of the Sun (1905); a poem, ""The Song of the Stormy Petrel"" (1901); his autobiographical trilogy, My Childhood, In the World, My Universities (1913-1923); and a novel, Mother (1906); and post-revolutionary works such as the novels The Artamonov Business (1925) and The Life of Klim Samgin (1925-1936), the latter is considered Gorky's masterpiece and has sometimes been viewed by critics as a modernist work. He had associations with fellow Russian writers Leo Tolstoy and Anton Chekhov, both mentioned by Gorky in his memoirs.
A collection of short stories by the popular and influential Russian author, a founder of the socialist realism literary method and arguably the greatest Russian literary figure of the 20th century. Alexei Maximovich Peshkov, popularly known as Maxim Gorky, was a Russian writer and political activist. He was nominated five times for the Nobel Prize in Literature. Gorky's most famous works are his early short stories, written in the 1890s; plays The Philistines (1901), The Lower Depths (1902) and Children of the Sun (1905); a poem, "The Song of the Stormy Petrel" (1901); his autobiographical trilogy, My Childhood, In the World, My Universities (1913-1923); and a novel, Mother (1906); and post-revolutionary works such as the novels The Artamonov Business (1925) and The Life of Klim Samgin (1925-1936), the latter is considered Gorky's masterpiece and has sometimes been viewed by critics as a modernist work. He had associations with fellow Russian writers Leo Tolstoy and Anton Chekhov, both mentioned by Gorky in his memoirs.
It is a 1908 novel by Maxim Gorky. It concerns the "plague of espionage" under the Empire; the protagonist is Yevsey Klimkov, who spies for the Tsarist regime. The orphan boy Yevsey Klimkov is apprenticed to the owner of a shop, who secretly sells prohibited revolutionary books and then informs on his customers to the police. The bookseller is murdered, and the bereft, frail, and weak Klimkov is coerced by the Tsarist police to be a spy and informer.
Three of Them is a 1901 novel by Maxim Gorky. The plot concerns Ilya Lunyev, a boy from an urban slum, who enters the middle-class milieu only to be disillusioned to find the same moral corruption.Alexei Maximovich Peshkov, popularly known as Maxim Gorky, was a Russian writer and political activist. He was nominated five times for the Nobel Prize in Literature. Gorky's most famous works are his early short stories, written in the 1890s; plays The Philistines (1901), The Lower Depths (1902) and Children of the Sun (1905); a poem, ""The Song of the Stormy Petrel"" (1901); his autobiographical trilogy, My Childhood, In the World, My Universities (1913-1923); and a novel, Mother (1906); and post-revolutionary works such as the novels The Artamonov Business (1925) and The Life of Klim Samgin (1925-1936), the latter is considered Gorky's masterpiece and has sometimes been viewed by critics as a modernist work. He had associations with fellow Russian writers Leo Tolstoy and Anton Chekhov, both mentioned by Gorky in his memoirs.
The Shield is a novel written by Maxim Gorky, a renowned Russian author. The story revolves around a young boy named Pavel who is forced to work in a factory at a young age due to his family's financial struggles. Pavel's life takes a turn when he is introduced to a group of revolutionary workers who inspire him to fight for workers' rights and overthrow the oppressive factory owners.As Pavel becomes more involved in the revolutionary movement, he begins to understand the true nature of the society he lives in and the power dynamics at play. He also falls in love with a young woman named Natasha, who shares his beliefs and becomes his companion in the fight for justice.The Shield is a powerful commentary on the class struggle and the importance of standing up for one's beliefs. Gorky's vivid descriptions and poignant storytelling bring the characters and their struggles to life, making this novel a timeless classic that continues to resonate with readers today.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
Alexei Maximovich Peshkov (28 March 1868 - 18 June 1936), primarily known as Maxim (Maksim) Gorky, was a Russian and Soviet writer, a founder of the socialist realism literary method and a political activist. Around fifteen years before success as a writer, he frequently changed jobs and roamed across the Russian Empire; these experiences would later influence his writing. Gorky's most famous works were The Lower Depths (1902), Twenty-six Men and a Girl, The Song of the Stormy Petrel, The Mother, Summerfolk and Children of the Sun. He had an association with fellow Russian writers Leo Tolstoy and Anton Chekhov; Gorky would later write his memoirs on both of them.
Maxim Gorky continues to be regarded as the greatest literary representative of revolutionary Russia. Born of the people, and having experienced in his own person their sufferings and their misery, he was enabled by his extraordinary genius to voice their grievances and their aspirations for a better life as no academic could.
Thank you for checking out this book by Theophania Publishing. We appreciate your business and look forward to serving you soon. We have thousands of titles available, and we invite you to search for us by name, contact us via our website, or download our most recent catalogues. It is certainly a curious fact that so many of the voices of what is called our modern religion have come from countries which are not only simple, but may even be called barbaric. A nation like Norway has a great realistic drama without having ever had either a great classical drama or a great romantic drama. A nation like Russia makes us feel its modern fiction when we have never felt its ancient fiction. It has produced its Gissing without producing its Scott. Everything that is most sad and scientific, everything that is most grim and analytical, everything that can truly be called most modern, everything that can without unreasonableness be called most morbid, comes from these fresh and untried and unexhausted nationalities. Out of these infant peoples come the oldest voices of the earth. This contradiction, like many other contradictions, is one which ought first of all to be registered as a mere fact; long before we attempt to explain why things contradict themselves, we ought, if we are honest men and good critics, to register the preliminary truth that things do contradict themselves. In this case, as I say, there are many possible and suggestive explanations. It may be, to take an example, that our modern Europe is so exhausted that even the vigorous expression of that exhaustion is difficult for every one except the most robust. It may be that all the nations are tired; and it may be that only the boldest and breeziest are not too tired to say that they are tired. It may be that a man like Ibsen in Norway or a man like Gorky in Russia are the only people left who have so much faith that they can really believe in scepticism. It may be that they are the only people left who have so much animal spirits that they can really feast high and drink deep at the ancient banquet of pessimism. This is one of the possible hypotheses or explanations in the matter: that all Europe feels these things and that they only have strength to believe them also.
Maksim Gor'kij - pisatel', tvorchestvo kotorogo kazalos' by vsem znakomo, hotja by po shkol'noj programme. Ego provozglasili klassikom literatury socialisticheskogo realizma i tem samym fakticheski izbavili ot vsjakoj kritiki, navjazav chitateljam opredelennoe, vostorzhenno-hvalebnoe otnoshenie k ego tvorchestvu. No esli otbrosit' vse to, chto tak tshhatel'no vnushali nam, mozhno razgljadet' LIChNOST'', figuru prezhde vsego interesnuju gumannuju i stradajushhuju. Ponimanie tvorchestva Gor'kogo trebuet samostojatel'nosti myshlenija i samyh neordinarnyh neozhidannyh podhodov. Jeto pomozhet vam nasladit'sja mnogogrannost'ju ego talanta... V sbornik voshli chetyre samyh izvestnyh rasskaza: Chelkash Ded Arhip i Ljon'ka Makar Chudra Staruha Izergil'
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THIS 44 PAGE ARTICLE WAS EXTRACTED FROM THE BOOK: Chelkash and Other Stories, by Maxim Gorky. To purchase the entire book, please order ISBN 1417903252.
The Mother (also known as Mat') is a novel written by Maxim Gorky in 1906 about revolutionary factory workers. The work was translated into many languages, and was made into a number of films. The German playwright Bertolt Brecht and his collaborators based their 1932 play The Mother on this novel.
Maxim Gorky's novel The Confession embodies the philosophy of the "God-building" movement that arose in the Russian Empire in the late 19th century. The Confession expresses Gorky's belief in humanity when strong individuals are connected to each other. It also reflects Gorky's disgust with injustice, hypocrisy, and conditions that degrade human dignity, and his faith in human potential. The Confession gives insight into some compelling Russian and wider human themes explored by Dostoevsky, Tolstoy, Chekhov and Gorky himself. These include the roles of the church, the state, and individuals, ubiquitous human questions of love, fear and death, and the responsibilities people have for one another.
This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.
Excerpt from The Spy: The Story of a Superfluous Man The nickname suited him very well. He was too small for his age, his movements were sluggish, and his voice thin. A little bird-like nose stuck out sadly from a bony face, his round colorless eyes blinked timorously, his hair was sparse and grew in tufts. The impression he made was of a puny, shriveled-up little old fellow. The children in school laughed at him and beat him, his dull old ish look and his owl-like face somehow irritating the healthier and livelier among them. He held himself aloof, and lived alone, silently, always in the shade, or in some corner or hole. Without winking his round eyes he looked forth upon the people from his retirement, cautiously contracted like a snail in its shell. When his eyes grew tired, he closed them, and for a long time sat sightless, gently swaying his thin body. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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