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In Victorian England, a young painter dies in strange and violent circumstances. In the present day, a student of art history at Cambridge University has recurrent dreams which link her with past events and with a painting that was never finished. What connects these two episodes apparently remote in time?
In this 1920 collection of early critical essays, Eliot proposes rules for how a poet should relate to a poem and to the poetic tradition. Arguing against the Romantic tradition of self-expression, Eliot proposes instead that poetry should express universal values and emotions.
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