Bøger af Michael Flynn

Sad and Happy Days is the first part of the autobiographical novel Sex, Drugs, Rock and Roach: Cedric's Story. As the title suggests, it's the story of a life buffeted by turbulence and dramatic change, this first part beginning in the drear fifties, spanning the blossoming colour, chaos and sexual liberation of the sixties, and, out of necessity, breaking off in the early seventies. It is a reflection on an individual person's life, and on the period itself and what it was that was that for better or worse was changing. It is a study of the vulnerability of innocence to corruption, with the conviction running throughout of the goodness of nature, and of human nature in particular. The content includes sexual themes from childhood and adulthood, dealing with both masturbation and pornography. The content itself, however, is not pornographic.

The NASA Technical Reports Servcr (NTRS) houses half a million publications that are a valuable means of information to researchers, teachers, students, and the general public. These documents are all aerospace related with much scientific and technical information created or funded by NASA. Some types of documents include conference papers, research reports, meeting papers, journal articles and more. This is one of those documents.

"Experience a truly extraordinary journey aboard a colossal generation ship, where Earth s brightest minds have forged a strict regime to ensure survival of the human race. The unintentionally-oppressive rules form uniquely distinct societies as the years pass, until differences in ideology, class, and cultural identity stirs up rebellion among the beleaguered crew, igniting the first whispers of revolution."--

BRAVE Books partnered with General Michael Flynn to write The Night The Snow Monster Attacked, a children's book that teaches kids how to be good leaders.

The alien world of medieval Europe lives again, transformed by the physics of the future, by a winner of the Heinlein AwardOver the centuries, one small town in Germany has disappeared and never been resettled. Tom, a historian, and his theoretical physicist girlfriend Sharon, become interested. By all logic, the town should have survived. What's so special about Eifelheim? Father Dietrich is the village priest of Eifelheim, in the year 1348, when the Black Death is gathering strength but is still not nearby. Dietrich is an educated man, and to his astonishment becomes the first contact person between humanity and an alien race from a distant star, when their ship crashes in the nearby forest. It is a time of wonders, in the shadow of the plague. Flynn gives us the full richness and strangeness of medieval life, as well as some terrific aliens. Tom and Sharon, and Father Deitrich have a strange destiny of tragedy and triumph in Eifelheim, the brilliant science fiction novel by Michael Flynn.

It is the beginning of the twenty-first century and one woman is determined to bring America and the world back on track in the technological future. She has the strength, the intelligence, the money. It will be done. This is the story of the rebirth of innovative technological expansion on Earth and in space.

A triumph of the New Space Opera: fast, complicated, wonder-filled!Hugo Award finalist and Robert A. Heinlein Award-winning SF writer Michael Flynn now turns to space opera with stunningly successful results. Full of rich echoes of space opera classics from Doc Smith to Cordwainer Smith, The January Dancer tells the fateful story of an ancient pre-human artifact of great power, and the people who found it. Starting with Captain Amos January, who quickly loses it, and then the others who fought, schemed, and killed to get it, we travel around the complex, decadent, brawling, mongrelized interstellar human civilization the artifact might save or destroy. Collectors want the Dancer; pirates take it, rulers crave it, and they'll all kill if necessary to get it. This is a thrilling yarn of love, revolution, music, and mystery, and it ends, as all great stories do, with shock and a beginning.

Before 9/11, films addressing torture outside of the horror/slasher genre depicted the practice in a variety of forms. In most cases, torture was cast as the act of a desperate and depraved individual, and the viewer was more likely to identify with the victim rather than the torturer. Since the terrorist attacks of September 11, 2001, scenes of brutality and torture in mainstream comedies, dramatic narratives, and action films appear for little other reason than to titillate and delight. In these films, torture is devoid of any redeeming qualities, represented as an exercise in brutal senselessness carried out by authoritarian regimes and institutions.This volume follows the shift in the representation of torture over the past decade, specifically in documentary, action, and political films. It traces and compares the development of this trend in films from the United States, Europe, China, Latin America, South Africa, and the Middle East. Featuring essays by sociologists, psychologists, historians, journalists, and specialists in film and cultural studies, the collection approaches the representation of torture in film and television from multiple angles and disciplines, connecting its aesthetics and practices to the dynamic of state terror and political domination.

Provides students with a practical guide to the management aspects of the licensed trade industry. This work introduces students to: key players; variations in service offer; types of management arrangement; customers and segments; labour markets and employees; key elements in the business units; and, retailing skills.