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Poetry. Michael Gottlieb's DEAR ALL strikes a note of change to both Gottlieb's style and his intentions to change society by holding up a mirror to it. The resulting social vanitas in DEAR ALL's short lines make us think that the world might be different than we think it is. And the poetry certainly is different than we expect. The sonorous, lexical intricacy, social indignation and attention to imaginative, formal detail DEAR ALL presents to us undresses our intention in the public square.In DEAR ALL Michael Gottlieb introduces a shorter line and a pared-down style, as paratactic as ever but with a new clipped clarity. Of course, Gottlieb is writer enough to abolish the neatness of this progression, as he does in the final long poem of this book, a wild mash-up of medical spam that reframes the book in terms of its formal inconsistency: Great stuff.--Steve Zultansky
In 1884, in the basement of a building on the corner of York and Jefferson Streets, something miraculous was happening. Jewish Russian immigrant Isadore Gottlieb had built a bakery that would soon be renowned in Savannah for every tasty morsel pulled from its busy oven, creating the perfect combination of southern and Jewish delicacies. Goods were delivered to citizens and stores by cart, pulled by a horse that knew every stop along the way, cementing the bakery's reputation as a true neighborhood operation. From shiny, egg-brushed challah to Sister Sadie's hazelnut cake to the ever-popular chocolate chewies, customers would crowd the store for a single irresistible bite. Join the next generation of Gottliebs as they recount the heartwarming stories and recipes that forever preserve the bakery's place in Savannah's history.
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