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James Joyce left Ireland in 1904 in self-imposed exile. Though he never permanently returned to Dublin, he continued to characterize the city in his prose throughout the rest of his life. This volume elucidates the ways Joyce wrote about his homeland with conflicting bitterness and affection-a common ambivalence in expatriate authors, whose time in exile tends to shape their creative approach to the world. Yet this duality has not been explored in Joyce's work until now.The first book to read Joyce's writing through the lens of exile studies, James Joyce and the Exilic Imagination challenges the tendency of scholars to stress the writer's negative view of Ireland. Instead, it showcases the often-overlooked range of emotional attitudes imbuing Joyce's work and produces a fuller understanding of Joyce's canon.
This text provides an introduction to students and others interested in William Kennedy's work. It provides an analysis of Kennedy's best-known works, a firm base for interpretation, and a better understanding of the cultural world that shapes the characters and plots.
Challenges the traditional view of filmmaking, contesting the existence of an Irish national cinema. Given the social, economic, and cultural complexity of contemporary Irish identity, this book argues that filmmakers cannot present Irishness as a monolithic entity.
Examines the Irish novelist, James Joyce, by exploring his work and influences, including family, friends, relatives, and acquaintances, as well as important places where he lived and worked. This book includes: a biography of Joyce; synopses and critical discussions of all Joyce's published work; and accounts of censorship and legal battles.
The study focuses on how branding established important assumptions about Wilde and his work in his own mind and in those of his readers, and it examines how each stage of brand development affected the immediate responses to Wilde's writings and, as it continued to evolve, progressively shaped our understanding of the Wilde canon.
Many intelligent, enthusiastic individuals approach conversations about films as an extension of the pleasures derived while watching them. Love for movies and enthusiasm for discussion makes many people want to attain a better understanding of what they have seen and to develop a greater skill in talking articulately about their experiences.
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