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For fans of Sabaa Tahir and Adrienne Young, the first book in a powerful, page-turning YA trilogy set in a future dystopia in which two girls hundreds of miles apart are bound by songlight, the forbidden ability to telepathically communicate.
Handbags, hairspray and sensible shoes.The monarch - Liz.Her most powerful subject - Maggie.One believed there was no such thing as society. The other had vowed to serve it.Opening the clasp on the antipathy between two giants of the twentieth century, Handbagged by Moira Buffini premiered at the Tricycle Theatre in September 2013.
Two young women arrive in a nameless British small-town. Their names are not their own. They don''t declare their ages. Their relationship with each other is not clear. Are they sisters, as their assumed identities declare? Or are they mother and daughter?|Large flexible cast
Together ten chronologically-organised scenes offer a vision of love and sex in England across two millennia, from classical times to the present day via the Renaissance and the Swinging Sixties.|3 women, 3 men
Set in a city named Thebes, somewhere in the 20th century, the play is introduced by a militia sergeant named Miletus and two child soldiers under his command, Scud and Megeara. They discover the body of Polynices, a warlord in the recently-ended civil war and brother of Antigone and Ismene. Meanwhile, Ismene and the new female president of Thebes, Eurydice, widow of Creon get ready for the arrival of Theseus, fi rst citizen of the powerful democratic state of Athens, to discuss rebuilding Thebes after the civil war.|10 women, 10 men
Aly is struggling with all the pressures of being a teenager: family, school, friends and her own insecurities. Then she discovers wonder.land - a mysterious online world where, perhaps, she can create a whole new life. The web becomes her looking-glass - but will Aly see who she really is?A new musical inspired by Lewis Carroll's iconic story, Moira Buffini's wonder.land was created with Damon Albarn and Rufus Norris and premiered at the Manchester International Festival in July 2015 in a co-production with the National Theatre, London, where it transferred in November of the same year.
Dinner'A cracking black comedy that has you laughing uproariously one moment and jumping with shock the next . . . For those with strong stomachs, Dinner offers a delicious feast of comedy and the macabre.' Daily TelegraphDying for It'A subversive Russian classic: one that addresses the ultimate question of "e;why live?"e;' Guardian'The play, freely adapted by Moira Buffini, presents a glorious gallery of comic types.' IndependentWelcome to Thebes'It's thrilling. Moira Buffini's strange and daring play is moving, wise, funny, horrifying . . . Full of resonances you weren't expecting, jokes you didn't see coming . . . It raises huge questions with wit.' The TimesHandbaggedWinner of the 2014 Olivier Award for Outstanding Achievement in an Affiliate Theatre'A phenomenon.' Sunday Telegraph'Perfectly pitched between the comic and the serious.' Guardian
Moira Buffini romps through the centuries from the Romans to the present day, charting the changing fortunes of place, time and people at 29 Trick Street. Buffini brings her usual lightness of touch to this incisive, funny and sharply observed play about changing social, economic and sexual mores.
On her tenth birthday, Marianne is forced to bed with a fever. That night she dreams. As Marianne sleeps, she finds herself transported to the house she has drawn, and the mysterious world that lies beyond.
Hallway-dwelling Semyon is unemployed and disheartened with life. On the night of the deed, a party grows towards a glorious climax.Moira Buffini has freely adapted Nikolai Erdman's The Suicide, which was banned by Stalin before a single performance, to create Dying For It.
Set in the present day but inspired by ancient myth, Welcome to Thebes offers a passionate exploration of an encounter between the world's richest and the world's poorest countries in the aftermath of a brutal war. Moira Buffini's Welcome to Thebes premiered at the National Theatre, London, in June 2010.
The first of two volumes in which nine established female playwrights grapple with the complexities of women and politics in Britain's past and present.
Dinner offers a delicious feast of comedy at its most heartless and macabre.' Daily TelegraphBlavatsky's Tower:'A refreshingly dizzying perspective on that cornerstone of dysfunction - the family.' Time Out 'A truly remarkable play.
It's my creation - like Frankenstein's monster.An artist, a scientist and a sexpot are coming to dinner.
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