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In 1772, upon the death of her second husband, Mary Delany arose from her grief, picked up a pair of scissors, and, at the age of seventy-two, created a new art form: mixed-media collage. Over the next decade, Mrs. Delany produced an astonishing 985 botanically correct, breathtaking cut-paper flowers, now housed in the British Museum and referred to as the Flora Delanica. As she tracks the extraordinary life of Delany-friend of George Frideric Handel and Jonathan Swift-internationally acclaimed poet Molly Peacock weaves in delicate parallels in her own life and, in doing so, creates a profound and beautiful examination of the nature of creativity and art. This gorgeously designed book, featuring thirty-five full-color illustrations, is to be devoured as voraciously as one of the court dinners it describes.
After her husband's death, Molly Peacock realized she was not living the received idea of a widow's mauve existence but instead was experiencing life in all colors. These gorgeous poems-joyful, furious, mournful, bewildered, sexy, devastated, whimsical and above all, moving-composed in sonnet sequences and in open forms, designed in four movements (After, Before, When, and Afterglow)-illuminate both the role of the caregiver and the crystalline emotions one can experience after the death of a cherished partner. With her characteristic virtuosity, her fearless willingness to confront even the most difficult emotions, and always with buoyancy and zest, Peacock charts widowhood in the twenty-first century.From "Touched:"After you died, I felt you next to me,and over months you entered graduallyinto that lake and disappeared. Not gone,but so internalized you're not next to me.
For the last forty-five years, the distinguished poets Molly Peacock and Phillis Levin have read and discussed nearly every poem theysve written-an unparalleled friendship in poetry. Here Peacock collects her most important essays on poetic form and traces the development of her formalist aesthetic across their lifelong back-and-forth. A Friend Sails in on a Poem offers a charming, psychologically wise, and metaphorically piquant look at navigating craft and creativity. This is a book both for serious poets as well as for anyone who wants a deep dive into the impact of friendship on art itself. .
Mary fought for a place as a professional artist without having to live as a tragic heroine. She married George Reid, Canadian muralist, and while their relationship was more equal than most, this was still the Edwardian age. How do you find time to paint when you need to get to the market to buy a chicken for dinner?
"Whatever the subject, rich music follows the tap of Molly Peacock's baton."-Washington Post
"Peacock is in peak form in these seductive poems that swing and twirl . . . valiant, trenchant, funny, and on point."-Booklist
"Molly Peacock's precision in Cornucopia makes each moment ignite with bounteous pleasures."-Yusef Komunyakaa
Fiercely intimate in its history and fiercely formal in its measures, this major new collection by Molly Peacock, her fourth, shows the poet at the height of her powers.
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