Bøger af Murray Leeder

This study sees the nineteenth century supernatural as a significant context for cinema's first years. In addition to examining the use of supernatural themes by pioneering filmmakers like Georges Melies and George Albert Smith, it also engages with the representations of cinema's ghostly past in Guy Maddin's recent online project Seances (2016).

The 1970s represented an unusually productive and innovative period for the horror film, and John Carpenter's Halloween (1978) is the film that capped that golden age - and some say ruined it, by ushering in the era of the slasher film.