Bøger af Nancy Holmes

Arborophobia, the latest collection by award-winning poet Nancy Holmes, is a poetic spiritual reckoning. Its elegies, litanies, and indictments concern wonder, guilt, and grief about the journey of human life and the state of the natural world. When a child attempts suicide and western North America burns and the creep of mortality closes in, is spiritual and emotional solace possible or even desirable? Answers abound in measured, texturally intimate, and often surprising ways. The title sequence, named for a word that means "hatred of trees," sassily blurs the boundaries between human beings and Ponderosa pines, reminding us how fragile our conceptual frameworks really are. Another sequence responds to Julian of Norwich's writing and call "to practise the art / of letting things happen." Saints' lives interlace with our quotidian experience, smudging connections between the spiritual and the earthly. Taking a hard look at what we have done to this beautiful planet and to those we love, Arborophobia is a companion for all who grapple with the problem of hope in times of crisis.

How do we learn to be where we live? How can a 21st-century mind, saturated with the culture and metaphors of contemporary life, connect to the natural world that surrounds us? In Nancy Holmes' new book of poetry, these questions are asked of her home, the Okanagan valley in the southern interior of British Columbia. In these poems, as Holmes comes to terms with personal grief, she tries to find consolation in the place she shares with other beings. Holmes' poetry looks for relationships with the prickly pear cacti, bluebunch wheatgrass, the black bears, the coyotes, and the northern flickers. She seeks to embed herself in the geography and consciousness of this arid Western landscape, one of the most endangered ecosystems in Canada, a landscape of great beauty and spiritual power with its volcanic glaciated mountains and fragile long lakes. The result is poetry that is both elegiac and humorous, with a vision often skewed by the lenses of mass media, anxiety, and the obsessions of the contemporary world. Sometimes disturbed and questioning, sometimes delighted and awed, sometimes troubled by the history of settlers and indigenous peoples, the poems explore our complicity in the destruction of, and our love for, the wild animals, plants, and places around us.