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In Carapace Dancer, Natalia Toledo revisits some themes from her award-winning collection The Black Flower and Other Zapotec Poems (tr. Clare Sullivan, Phoneme, 2015).She returns to the landscape of her childhood where animals predict the future and grandmothers shape masa. Again, she questions Zapotec traditions even as she mourns their disappearance. But in these poems Toledo takes more risks: she exposes her pain and that of her people in images at once elegant and raw. Like the crab, she edges into the past, but the hard shell of experience or cynicism provides only temporary protection to the human vulnerability beneath it.
Natalia Toledo''s The Black Flower and Other Zapotec Poems, with an award-winning translation by Clare Sullivan, describes contemporary Isthmus Zapotec life in lush, sensual detail. In Toledo''s poems of love and loss the world''s population turns into fish, death is a cricket, and naked women are made of wet magma. The Black Flower won the Nezhualcóyotl Prize, Mexico''s highest honor for indigenous-language literature, in 2004.
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