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The Black Rose of Halfeti opens with a letter delivered at midnight in Ankara, Turkey. In this letter, an elderly doctor who has begun to experience the first signs of dementia professes his love and desire for a relationship with the narrator, a woman in middle age beginning to contemplate her own mortality. From there, the novel moves between Mardin, Izmir, and Ankara; the past and the present; and the real and the imagined as the narrator seeks to know the doctor both in his prime and in his struggle to hold senility at bay. In these dreamlike landscapes, the author effortlessly introduces King Darius, the Spanish director Luis Buñuel, the actress Silvia Pinal, and the archetypal dream woman as the narrator's guides in her efforts to understand the human psyche.Nazli Eray has established herself as a master of magical realism, the perfect tool to bring to life this poignant meditation on love, aging, and the role of memory. And, as in her earlier novels, she paints vivid images of the urban landscapes of Turkey, capturing both the present and the past.
This is the first time Eray's fantasy romance told on sveral different levels that transcend time, place, gender and even species has been translated into in English. In this enchanted space the boundaries between life and death, dream and reality, the here and there are all blurred. Eray captavatingly investigates the concepts of love, passion and loyalty.
Presents a translation of Turkish author Nazli Eray's "Orphee". This work is a rewriting of the myth from the perspective of Eurydice, the wife of Orpheus. Set in junta-ruled Turkey of the 1980s, it resonates with references to the film "Last Tango in Paris", and evolves as a mystery story.
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